LONDON-BORN ENGLISH ACTRESS CAREY MULLIGAN CAME TO INTERNATIONAL PROMINENCE ON THE BACK OF HER ACADEMY AWARD-NOMINATED TURN IN LONE SCHERFIG’S AN EDUCATION, A ROLE FOR WHICH SHE ALSO EARNED BEST ACTRESS AWARDS FROM THE NATIONAL BOARD OF REVIEW, THE BRITISH INDEPENDENT FILM AWARDS AND BAFTA. SHE RECENTLY STARRED IN MARK ROMANEK’S ADAPTATION OF KAZUO ISHIGURO’S NEVER LET ME GO, WITH KEIRA KNIGHTELY AND ANDREW GARFIELD, AND ALSO IN OLIVER STONE’S WALL STREET 2: MONEY NEVER SLEEPS, PLAYING THE DAUGHTER OF MICHAEL DOUGLAS’S ICONIC CHARACTER. SHE ALSO STARRED AS KITTY IN JANE AUSTEN’S PRICE AND PREJUDICE. ADDITIONAL FILMS INCLUDE PUBLIC ENEMIES, THE GREATEST, BROTHERS, WHEN DID YOU LAST SEE YOUR FATHER AND DRIVE.

Carey has just won the best supporting actress award at the Hollywood Film Awards as well as the Detroit Film Critics Society Awards for her role in the tense drama Shame, directed by Steve McQueen where she plays Sissy, sibling to Michael Fassbender’s character, Brandon.  AGENT2 brings you this interview before the UK release of Shame.

Your character in Shame, Sissy, is another fantastic and really interesting part…

Yes. My agent gave me the script. She read it and she told me that there is this insane part of Michael Fassbender’s sister and I read it and I thought, ‘No way on earth will Steve McQueen ever let me play this.’ I thought they would cast someone gritty and American. So I met Steve thinking that there was no way this would come off and he kept on trying to leave! Like ten minutes into our meeting, he was like, ‘Right, okay, thanks.’ And I was, ‘Oh, no!’ And I kept making him sit down again.

What did you say to him?

I just said, ‘Look, Steve, the thing is’, and then I wouldn’t have anything to say. But we did end up talking about The Seagull, which is my big obsession. Playing Nina in The Seagull, I have never really recovered from it and I want to play Nina for the rest of my life, but I couldn’t find a film role that was on the same level, or as difficult or as interesting. Then when I read Shame I thought it was as difficult as Nina and that is what I told him, to convince him to let me do it.

Why is Sissy so close to Nina in The Seagull?

They both have an uncompromising nature. Both of them have the ability to jump without a safety net and they both have really, really high standards for love and for success and yet neither of them can meet them. There is a tragedy in that. When we were rehearsing for Shame, Steve and I talked a lot about Francesca Woodman who was an artist. She was a photographer, an American from Connecticut, and she started taking photographs when she was 15 years old. The majority of them were self-portraits and nudes and she killed herself; she jumped out of a building when she was 22 years old in 1981. I don’t know what it was about her but she had this same thing. She wasn’t afraid. She had no boundaries. She wouldn’t accept less than taking over and being seen and being heard. I don’t know why she killed herself but one of her frustrations was that she was not accepted in her time. People didn’t really appreciate her work and now, of course, her work is sold for thousands.

Tell me how Sissy fits into Shame…

I think Shame is about a man who is trying to control his life and won’t allow people to become intimate with him. He is trying to forget and has a regimented life and part of that is an addiction, his relationship with his sister and the people around him. But the sexual addiction has always been a side note to me, because I think it is more about how he connects with people and how any obsession or addiction informs how you behave towards the people around you. The sexual thing is obviously very specific and it is uncomfortable. I think that is Steve’s intention. It is funny because in the cinema if you make light of sex, or you are crude or you make a joke of it, then it’s fine and acceptable. But the minute you start to talk about it seriously it is unattractive and there is nothing in Shame that is very sexy. It makes you go away and never want to have sex again!

It must have been an intimidating role?

Terrifying. If I had been playing any kind of character, playing a tea lady, I would have been scared, because it was Steve McQueen and Michael Fassbender. The standards that they set are so high, so that in itself was terrifying. Added to that the particulars about the character, the music and the singing and all that stuff, it was a pretty big leap.

It’s an intense film, but can you also have a laugh when making the movie?

You can. I didn’t know what to expect because my first meeting with Steve was quite intense. He sort of riles you up. I almost cried! I think I did cry at our first meeting because he stirs up a desire to make art and no one else ever has ever done that in the same way. He really challenges you on why you make the choices that you make — what kind of films you make and why you are doing them. And that was really intimidating and alarming but he also reminds you why you want to act. He would come in when we were doing a take and he’d say, ‘Ah, Michael, you two seem like Fred Astaire and Ginger Rogers’, and it was amazing. You’d be so in awe and at the same time he’d be telling you to do it better. He would be like, ‘It is half time and you are 4-0 up and you have got to be 8-0 up. You can do it.’ Stuff like that. Sometimes it would be very quiet but often he was like a real cheerleader. He can mess around, especially with Michael. 

The bathroom scene and the singing scene — was one more frightening than the other?

Singing. The singing was more nerve racking than the nude scene. The nude scene in the end was fine actually. I think I was nervous beforehand. I remember lying down in the bath in that bathroom and I knew that Michael was going to burst into the first take at any point and, strangely, I didn’t feel nervous at all. Whereas with the first take of the singing I was really scared. Steve always wanted it live and he wanted it in one take. So that set of requirements meant you couldn’t muck it up. We were there for about two hours and we did take, cut, take, cut. And the lyrics when you study them are desperate. It was really fun to play. I had singing lessons and a singing coach and she actually played the piano in the scene.

Have you sung much before?

I was in the choir at school. I sang in musicals and stuff but never the big roles and, weirdly, Belle & Sebastian asked me to sing on one of their songs last year. That was very scary. I was terrified. I had no idea. It was so random. They just rang up my agent and asked if I’d be interested and I was like, ‘Yeah!’ It was cool but so nerve-racking. Singing is terrifying. It was the scariest thing. Not the worst thing to do but it scared me to death.

When did you first think you wanted to do this as your career?

The first time I did a play was a musical, The King And I, when I was six in Düsseldorf. My brother was in it and I wasn’t which didn’t go down very well with me. That was the first thing I did. But I don’t think there was a light bulb moment when I thought of it as a career. I just always thought that this was what I was going to do.

And you’re currently shooting Baz Luhrmann’s The Great Gatsby. Is it ever so lavish?

Yes. His style is so unique to him and he is the only person who can do it. It is amazing doing a period film and really walking into sets where the design is so grand. It is perfect. It is accurate. It is so intricate. It helps inform the role. It was the same in Shame. We were in a tiny apartment, literally, much smaller than this whole room and that confinement was so helpful. Michael and I played out scenes in one shot and it was really just the tiniest space and that made you feel claustrophobic. It is the same with Gatsby; the design and the set informs your work and it is so helpful.

SHAME is released in the UK and Ireland on 13 January

Check out AGENT2′s great SHAME t-shirt and DVD bundle giveaway courtesy of Momentum pictures here.

For more information; facebook.com/shameuk or follow @shamefilm

NEW DELHI, THE CAPITAL OF INDIA, EXHILARATES IN PASSION, CULTURE AND LOVE. A COUNTRY BURSTING WITH FLAVOURS AMONGST THE FOOD, PEOPLE AND THE HISTORIC LANDMARKS THAT I CAME ACROSS, UPON MY TRAVELS TO THIS BEAUTIFUL CITY.

When I was invited to the APEDA Basmati for the World food conference in New Delhi, India, I was so overly excited, India is such a beautiful country, from the climate to the people to the aromas of the spices, I certainly do adore Mother India.

After departing from London, I landed at 5am on the Monday at Indira Gandhi International Airport, New Delhi. Outside  the weather was very foggy. We left in the fog and arrived in the fog, it almost felt as though I went round in the air and ended back at Heathrow. The journey in total with the delay was 9hours.

The journey to hotel from the airport was about 20 minutes, I was staying at The Grand Hotel, a newly refurbished hotel for when the Commonwealth Games took place in 2010. As I arrived to the hotel and descended the bus, had to go through the metal detectors, security in India is very high due to the 2009 bombings. The white reception lobby was of a large size, overlooking the gardens. On arrival at check in, breakfast was served at the Crystal Lounge on the lower ground floor. The view was amazing with the gardens in front, massive palm, beautiful flower trees lined together. There was an array of different cuisines for breakfast, the waitress took me around and showed me the indian, chinese, english and continental. I was so lost for choice but I played it safe as I was very sleepy. Juice was served in small little glass bottles, which was so handy and a glassful.

The room was big and airy, the bathroom was the size of my bedroom at home, decked out in black tiles, an oval mirror with the toiletries at the far end, a tub, walk in shower and a sink. Sliding doors for the toilet and wardrobe. Also there were two entrances to the bathroom, one was from the corridor as soon as you enter from the main door, and the other was the sliding door beside the bed. The sliding door was covered with a full mirror. The room definitely wasn’t short of any mirrors, definitely handy for any woman. The bed was very comfortable after a 9 hour flight.

Monday afternoon was all about sight seeing, boarded the bus at 4pm, the hotel was situated near a massive modern contemporary shopping mall where you’d find the likes of Zara, Dolce & Gabbana, Versace and etc. Driving around Delhi was nice, the constant horning, overtaking, but still abiding by the law of using traffic lights and the one way system. When you visit India, you are suddenly hit by the constant chaos, the population of the people, the cars and motorbikes, and the occasional quiff of smell in the air, also the cows, buffalos, dogs and goats roaming the streets. New Delhi is very modernised with the Metro system in place, thousands of people use it everyday, the most busiest is at 6pm, nobody wants to be on a train and get squashed like an ant at that time. Drove past The India Gate – which resembles the ‘Arc De Triomphe‘ in Paris. India Gate commemorates the 70,000 soldiers who lost their lives fighting for the British Army during World War I. The memorial bears the names of more than 13,516 British and Indian soldiers killed in the Northwestern Frontier in the Afghan war of 1919.

Next to past was the Red Fort – situated in Old Delhi, it is the focal point of modern India and attracts a major crowd on each Independence Day. It was a real shame the bus didn’t stop at these major hot spots. History is what makes India so special.

Along the drive we went past the Indian Crown Courts, Parliament House, Gandhi Museum and the Indian Wall Street. Stopping at Jama Masjid the great and largest mosque in Old Delhi, with a courtyard capable of holding 25,000 devotees. The highly decorative mosque has three great gates, four towers, and two 40m high minarets constructed of stripes, red sandstone and white marble. I had to cover up fully, so robes were provided to me prior entering, dress like a local without feeling like an outsider.

After visiting the Jama Masjid, riding on the bicycle tuk tuks was quite an experience, the strength of one small man pulling two ladies isn’t an easy job. We went round the block of Chandni Chowk seeing the sights of the food markets, street stalls, jewellery shops and the hanging cables. The road was very uneven, had pot holes everywhere, I think I lost quite a few brain cells with the constant bashing into the side rails. A must if you are ever in India!

Dinner was at Park Balluchi, a lovely little restaurant, as there was a big crowd of us, they gave us the conservatory seating area. It was a mild chilly evening, a comparison from the afternoon heat. Park Balluchi is a flagship fine dining restaurant with beautiful natural surroundings with lush greenery all around the place. The cuisine was Hyderabadi, Awadhi and Punjabi. A selection of white and red wine was on constant rotation, never short of a breath as was the water. One by one a waiter came and served me food, one piece at a time, the accompaniments were placed on the table first of chutneys and poppadams. First came the baby chicken, juicy, tender and fell off the bone easily, followed by that was paneer archari tikka – soft cheese cooked in a big open tandoor. Flame grilled banarsi seekh kebabs, the fire still burning from the skewer which was in the chefs hand was awesome. So lovely, could definitely taste the chalky charcoal and the tenderised meat. The rest of the meal was fabulous, it was every foodies dream, the rich curry flavours exploded in my mouth, the homemade naan accompanied with the rice and daals. The salads, chutneys and the dessert was superb and the service was tremendous.

The APEDA (Agricultural and Processed Food Products Export development Authority) ‘Basmati for the World 2011′ food conference took place in the conference hall of the hotel. A spacious setting for very few people. A lesson in the finest Indian Basmati Rice. It was a rather dramatic event, the Minister of Commerce and Industry Anand Sharma lit the diva and all of a sudden the Darude house anthem came on, consisting of a lot of bass and thumping.

A life lesson in Basmati: ‘Bas’ means ‘Aroma’, ‘Mati’ means ‘Full of’. Around the world there are 10,000 varieties of rice, and yet Basmati does stand out as the most gourmet of them. It offers an amazing sweet fragrance, an unmistakeable yet delicate taste, almost nutty. It is also quite easy to differentiate, a number of rice’s are sticky, but this isn’t. Each grain is perfectly separated from the other. I heard it was once used in the household of the ‘Raja’s and Rani’s’ of India, now its just as special as its used in every household, ‘King in the Indian Rice Basket’.

Basmati is a versatile long grain of rice, can be used in almost anything,  I saw and tasted many dishes made by the international chefs at the Chefs Conclave, such as Puff Basmati Rice with Star Anise Custard by Matt Edmonds. It was very delicious, the rice without the custard had like a sweet, coconut taste, once the custard was poured on top, the star anise flavour bursted out, it reminded me of liquorice in a bowl of rice. Perfect for a dessert or a snack even. Basmati Rice Risotto by David Charles Fenton was intricate, delicate in taste and the long grain of rice tasted heavenly. Once you have experienced its fragrance or taste, it is one engrained in your memory and you can recognise its aroma as soon as you are in its vicinity.

The Basmati Coffee Table Book was launched during the ceremony, edited by Shilpi Gupta – Head Chef at The Grand. The book gives an outline of the rice and many recipes such as Thai Basil Fried Rice by Shilpi Gupta, French Rice Ball Fritters by Lionel Levy, Candid Prunes in Red Wine Stuffed With Vanilla Rice Pudding, Italian Style Basmati Risotto in Pizza Calzone by Alfonso Lomanco, and many more to get your taste buds tantalising. The book is a great idea for someone who needs inspiration, recipes from India, Europe, Eurasia and America, you simply wouldn’t want to leave your kitchen.

Went to a tourist market called ‘Dilli Haat’ its a very pricey market, almost like a fake take on a real market. They have wooden carved tables and animals, pashmina shawls, bags, bangles and shoes. Every other stall is selling the same thing but for a higher price. Even if you try to bargain they still won’t shift, so really its much easier to buy from a fixed price shop than it is from Dilli Haat. There wasn’t really much to see, I was rather disappointed as the trip didn’t consist of anything original.

The Taj Mahal was definitely one of the best highlights of the trip. It took 5 hours to get there from the hotel leaving at 7:30am, the tour guide Poonam was really good at explaining the significance and why it was build. Along the journey I saw snake charmers, performing monkeys and vast land of green fields. The constant honking and overtaking is what makes India so lively. Upon reaching Agra, the temperatures were exhilarating hot reached about 28 degrees. Agra is a city on the banks of the River Yamuna in the northern state of Uttar Pradesh.

Taj Mahal is one of the most famous buildings in the world, the mausoleum of Shah Jahan’s favourite wife Mumtaz Mahal. It is one of the seven wonders of the world, and one of three World Heritage Sites in Agra.

Completed in 1653, the Taj Mahal was built by the Mughal Shah Jahan as a resting place for his beloved wife. Finished in white marble, this perfectly symmetrical monument took 22 years of labour and 20,000 worker, masons and jewellers to build and is set amidst the landscaped gardens. Built by the Persian architect Ustad Isa, the Taj Mahal stands majestically on the banks of the River Yamuna, the synonymous of love and romance.

My thought whilst watching the Taj is the immeasurable beauty, glistening in the sun, the exquisite ornamentation and its picturesque location. From afar it looks so tiny but up close its a postcard brought to life. Everything I have ever imagined!

Words and images Priya Kerai

Amy Childs has been given a makeover like never before. Topman GENERATION’s unique photoshoot turns Amy into the face of a mysterious and mythical bohemian rock’n'roll band from the mid-70s. With Art Direction from Editor John-Paul Pryor, Fashion photographer Michael Hemy (Tom Ford, Dazed & Confused, Louis Vuitton) turns the instantly recognisable star of TOWIE, and current show It’s All About Amy, into a sophisticated 70s glamour puss, tipping an aesthetic nod to the reportage-style glamour of Bob Richardson.

Adorned head-to-toe in classic vintage sourced by much talked about stylist Melissa Thompson (AnOther Magazine, Dazed & Confused), Essex siren Amy Childs is joined in her fictional rock’n'roll troupe by her vampish male bohemian cohorts. This is Amy Childs as you have never seen her before; this is Amy Childs, Voodoo Child.

See Amy Childs on Channel 5 in her show “It’s All About Amy” on Thursday December 29, 2011, at 10:00pm. “It’s All About Amy” on Channel 5 will be back in the New year from January 12, on from 11:00pm.

Topman GENERATION: www.magazine.topman.com

DOWN A VERY PRETTY MEWS IN MAYFAIR ON FRIDAY NIGHT, IN A HIDDEN AWAY GALLERY CALLED MAGGS GALLERY, WAS HALF OF LONDON’S NEW ART FOLLOWERS.

The wet weather and packed garden bar showed how not even a damp day in the capital could keep people away.

NA or New Artists is aiming to provide short-term exhibition, popping up and disappearing again, moving around rich architectural spaces around London that gets the viewer away from usual gallery spaces or museums.

The artists that showed their work in this cosy space was Richie Culver, Shorvon and Hunter with a scattering of William Burroughs photographs and occult paraphernalia.

Richie Culvers autobiographical work attempted to communicate with a subject following a loss. He brings together a plethora of old pictures and collages and adds a witty caption.  It showed what he wanted to say to family members to failed relationships but may never have got around to saying. It is as if he looks at the picture and says the first memory that has flashed before his eyes.  We all have a bank in our mind of things we wish we had said, this exhibition moved and was easily relatable.

Nicholas Shorvan and Ben Hunter were on the top of my list for the evening. The selection of bronze sculptures with it strange and allegorical melting soldiers, dealt with the often surreal documentations of war, with the bronze material referencing the war memorials of the past. It was part of a bigger exhibit about man’s use of violence in his innate quest for more…..Same shit different day, and opened thought provoking questions about how the even though the bronze was varied the subject was the same.

The art of the evening was certainly up to scratch, and the after party didn’t disappoint. Held at Le Baron with Jack Penate and Paloma Faith heading to the decks, the night rounded up well, after a few whiskey punches on offer at the exhibition. Hopefully this guerilla art project is one of many.

Words Jennifer Butler

Whether you’re shopping for your girlfriend, sister, or best friend, we’ve found the year’s hottest gifts to please every gal on your list. From a super-slick smartphone to pretty pocket-size wireless speakers, we reveal the nine hottest gadgets she’ll love this holiday.

Samsung GALAXY Note

When it comes to smartphones, the GALAXY Note is quite possibly the best out there. Not only does it have the world’s first 5.3-inch HD Super AMOLED screen, which provides an incomparable high-resolution viewing experience, it also comes with an 8-megapixel camera complete with photo and video editing, and the advanced S Pen to personalize everything you do. If you really want to wow her this holiday, grab one of these.

Samsung Series 9 Notebook

Built with the same material as an advanced aircraft, this Samsung notebook is twice as strong as aluminium yet weighs less than three pounds. Plus, it features a backlit keyboard, brilliant LCD display screen, and a large multitouch clickpad. All in all, a pretty sharp package she’ll love.

Nintendo 3DS

Girls are gamers too—and the Nintendo 3DS is something at the top of any gamers’ list this holiday. The 3-D screen is best in class and doesn’t require 3-D glasses—a real breakthrough in portable entertainment. If she likes gaming, she’ll love this.

Native Union Pop Phone

This funky retro handset is ideal for anyone who loves all things vintage. Featuring a classic look with a contemporary edge, the handset plugs directly into a mobile phone, computer, or tablet for an old-school chatting experience.

Polaroid Instant Digital Camera

Recapture the magic of instant photography with this new Polaroid camera. Using the latest inkless printing technology, you can instantly transform digital photos into fun 3-by-4-inch photos that can be shared spontaneously. And inkless printing means no messy ink cartridges to worry about!

Juicy Couture Faux-Fur Earmuff Headphones

There’s no better gift for a stylish, tech-savvy woman than these super-cute faux-fur headphones. Not only will she be impressed that you’re familiar with fashion label Juicy Couture, she’ll love that she can rock out to her MP3 player in high style.

Barnes & Noble Nook Simple Touch

If she’s always reading a new novel or browsing her favorite weekly mag, we bet she’ll adore Barnes and Noble’s second-generation Nook. This upgraded e-reader is faster, lighter, and thinner than its predecessor—and boasts a two-month battery life (that’s an entire month more than the Kindle!). And with its library of more than 2.5 million books, she’ll never run out of titles to download. 

Jawbone Jambox

No more cords or docking systems: The chic-but-powerful Jambox speaker is wireless, small enough to fit in your hand, and mighty enough to fill even the largest room. And with 10 hours of battery life, it won’t die as the party peaks. 

Sony 3-D Bloggie HD Camera

This sleek handheld camera shoots in astonishing 3-D HD sure to impress any recipient on your gift list this year. Bonus: The LCD screen features 3-D playback—no special glasses needed!

Check out our Techie Holiday Gift Guide for Him here.

You can’t avoid it any longer—it’s time to start thinking about holiday shopping. But this year, skip the traditional go-to gifts of sweaters and boxers, and instead impress your family and friends with cutting-edge gadgets and gear. From the latest and greatest smartphone to the best handheld gaming system, we reveal the hottest gifts of 2011.

Samsung GALAXY Note

Samsung has taken the smartphone to a whole new level with the GALAXY Note. Featuring a large and immersive screen, best-in-class mobile input ‘with a touchscreen and the advanced S Pen, a full suite of features including built in photo and video editing capabilities, this is must-have for your most discerning gift recipients.

Samsung LED 8000 Series TV

This incredible television is something everyone should experience: From its visually stunning LED HD picture to its Smart TV capabilities with a solid collection of apps including Facebook and Skype, it’s a must-have for anyone who’s a gadget lover.

Barnes & Noble Nook Simple Touch

The latest generation of the Barnes and Noble e-reader is faster, lighter, and thinner than its predecessor. And we haven’t even gotten to the best part: The new Nook has a two-month battery life (that’s an entire month more than the Kindle!). With its library of more than 2.5 million books, this is a dream come true for any book lover.

Samsung LED 8000 Series TV

This incredible television is something everyone should experience: From its visually stunning LED HD picture to its Smart TV capabilities with a solid collection of apps including Facebook and Skype, it’s a must-have for anyone who’s a gadget lover.

Casio Tryx Camera

There always seems to be a snazzy new handheld camera hitting the market—but this one rises way above the rest. The insanely flexible 12-megapixel Tryx can turn, twist, hang, and stand unassisted to get shots you never thought possible.

Sony HD 3D Camcorder

Sony’s new camcorder isn’t the first to tout two lenses—but it is the first to have two imaging sensors and two processors. What does that mean?  Unbelievably clear playback and the ability to seamlessly go from 3-D to 2-D HD and back.

Jawbone ERA Bluetooth Headset

Want to really impress him? This is the only headset on the market equipped with military-grade noise-cancelling technology to ensure the least amount of background noise possible during important phone calls. The design is really cool too.

Garmin GTU 10 GPS Tracker

This lighter-size tracker combines a Web-based tracking service with GPS technology so you can keep an eye on children, pets, or personal property. View the location of your tracker from your computer or, if you prefer, your mobile device. Perfect for the person who can’t get enough James Bond.

 Livescribe Echo Smartpen (2GB)

Not only does this pen create digital backups of handwritten notes (when used with special paper), it also can record up to 400 hours of audio. Did we mention it has a camera too?

Nintendo 3DS

In the landscape of handheld gaming devices, the 3DS might not have the deepest selection of game titles. But what it lacks in selection it more than makes up for in its incredible, all encompassing 3-D experience (minus the glasses!). Once you play it, you’ll never put it down.

Nike Plus Sportswatch GPS (Powered by TomTom)

When Nike partnered with GPS powerhouse TomTom to create the Sportswatch GPS, we knew greatness would happen—and we weren’t disappointed. The watch tracks your time, distance, pace, and calories burned and seamlessly connects all this info with the NikePlus website to help you manage your running. Pretty slick.

FOR THE NEW STUDENTS AT HOLLYOAKS COLLEGE, FRESHERS WEEK HAS IS NOTHING MORE THAN A DRUNKEN BLUR SINCE THEIR OCTOBER STORYLINES DRAMATICALLY UNRAVELLED AND THE IMPORTANCE OF GETTING TO LECTURES WAS DWARFED BY THE THREAT OF A PSYCHOTIC SERIAL KILLER IN THE VILLAGE.

Now, after having chance to settle in, the new members of the cast talk to AGENT2 about how Hollyoaks is their very own, albeit dream-like, university experience.

Tamaryn Payne, 23, plays Annalise Appleton. She’s a very uptight perfectionist. She puts pressure on herself to succeed and is scared of falling off the pedestal her parents have put her on. Annalise is a clean freak, she likes everything in its place and likes the steadiness of being in a relationship.

Holly Weston, 26, plays Ash Kane. Ash is fun loving, she likes a drink and is one of the lads but she does have a bit more depth to her. She studies psychology and thinks about why she is the way she is.

Tom Scurr, 21, plays Barney Harper-McBride. Barney is lovely. He’s a real fish out of water – wonderfully posh and had complete reality check when he arrived in Hollyoaks. He’s nice though, not pretentious or up himself and not the type to splash the cash. He is keen to adapt so he can be absorbed into the Hollyoaks way of life. It’s one massive adventure for him because everything is new and he has started to fit in for the 1st time.

James Atherton, 24, plays Will Savage. Will is geeky, in a cool way and really into studies. He is coming out of shell with his new mates because he was always overshadowed by his brother. He’s getting more confident. He will still be into his studies but become a bit more extrovert  as people do when they get to uni and start being comfortable with people.

Calvin Denba, 18, plays Scott Sabeka. He’s very laid back and has a cheekiness about him. He appears confident but he lacks self-belief at the same time because he doesn’t have the drive to fully go for anything. He is a bit half hearted and quite sensitive in his own way. He’s not the energy of the group he just keeps everything bang in the middle.

David Atkins, 22, plays Rob Edwards – He’s not the typical jock, he’s a bit different and has a sensitive side. He knows when he’s done wrong and he’s a good pal.

Meeting this year’s intake of students at Hollyoaks College feels very real. Though I know I am meeting actors, most of whom are playing characters years younger than they are, walking into the set of the university halls takes me back to my student days. It isn’t only the surroundings; the bond between the group of actors has a distinctly student-like vibe. They have all moved to a new place to start something new, the token student banter is rife and they swap tasting notes from the new edition of Irn Bru as if it were a 1989 Chateauneuf Du Pape. Now comfortably settled into Hollyaoks, the new recruits reflect on their version of a university experience.

How did you prepare for the roles of students?

Tom: I’ve known people who have been at uni and visited friends in halls, seeing people putting jam on a digestive for the first time, I thought it was genius. You see people and get an idea of what it’s like to be a student.

Tamarin: Our characters are a good cross section of students though mine is a bit more far-fetched because she’s trying to be an adult not just a student.

How have you settled in to Hollyoaks?

Tom: Great, very well, everyone is so nice and friendly.

Holly: I was worried, thinking these beautiful people would be bitchy but there isn’t one person I don’t get on with.

Tom: We’re part of the family now. You get absorbed very quickly. You get thrown into work straight away. It’s a very quick process.

Scott: It’s easy because everyone’s so nice and we had James to show us the ropes. Everyone’s pretty sound and it’s easy to ask questions because everyone’s so willing to help. The older characters seemed to take me under their wing. Nick (Pickard, who plays Holloaks veteran Tony) has been really nice to me. He brought me to football games and gave me a kit. It really made me feel comfortable.

David: Social stuff outside the show helps, we have such a laugh it doesn’t really feel like work.

Were you fans of the show before you joined the cast?

Tom: I used to be a total addict when I was younger. I hadn’t seen it for a while before this but now it’s quite absorbing. There’s some really good stuff coming out, not what people would expect. Everyone loved the wedding and I think people are surprised by the quality now. The writers and producers are really listening to what people are saying and constantly adapting the show which is pushing the quality up and up.

We’ve got exciting stuff coming up around new year. We can’t say – don’t mention the war. All I can say it that we are all together and there will be a location shoot. It’s juicy and exciting with some new characters. Now stop.

How did your family react to seeing you on the show?

Holly (who flashed in a bar in her first episode): My brother watched it, he was like, hmm nice first episode. I think he saw a bit much but thought it was good stuff besides that.

Tamarin: My dad never watched a soap and now he has to he is loving it. He’s 72 and watching Hollyoaks first look – we’re definitely bringing in new audiences!

Scott: My sister and mum are heavily into it, the fact I’m on it is only a bit of a touch really – mum doesn’t have to see my ugly mug anymore.

My auntie rang my mum during one scene where I was on the phone to my mum in the show – she had a go at her for ringing me while I was working.

David: My mum starting clapping like the nutty professor. My brothers see stuff in my character that I bring to it and laugh about it because it’s just the stupid things I do around the house.

James:  For me it’s more my mates. My character is so different to me in real life so they find it hilarious.

Would you describe yourselves as typical students?

Tom: There are some aspects which are quite typical – we each bring something different and there’s a bit of edge to our characters.

Holly: Really nice group, everybody is a character, it’s nice to see them interact because they’re all so different.

Scott: We’re all from different spectrums – Barney’s very posh, Scott is working class, there’s even someone who lives in a caravan. It’s a nice mixture.

Check out more from Hollyoaks at E4.com

Interviewer Elizabeth Horsfall  Images Lucy Sharratt

FASHION, MUSIC, SHOPPING, CULTURE, HOSPITALITY… WHAT MORE COULD ONE WANT FROM LOVELY BELFAST. A CITY SO SMALL BUT VIBRANT, IT WILL SIMPLY TAKE YOUR BREATH AWAY! 

A weekend getaway to Belfast was on the cards. Flying from London Stanstead on Bmibaby. The journey to and fro was 55 minutes. Landing at Belfast City Airport was quick and efficient. The service on board Bmibaby was very good, the seats are spacious and the leg room is wide which is enough room for your handbag.

Fitzwilliam is a 5 star hotel located in the heart of Belfast, a unique gem of contemporary living. The hotel’s chic relaxed style is reflected in it’s service policy which is friendly and efficient, yet discreet and unobtrusive. As I entered, I was greeted by the Concierge team, check in was very easy, grabbed the key and off I went. As soon as I entered my room, I was amazed, it took my breath away. The room was quite airy with a personal sanctuary feel to it with relaxation in mind. Wonderfully comfortable beds draped in crisp white Egyptian linen, power showers and relaxing baths, designer toiletries to ensure you have a sublime stay. Bathroom is enticed with a large mirror, a walk in shower and a nice comfortable bathtub. The dresser is equipped with the essentials, I was greeted by a nice bottle of wine and dark chocolates. If you like spacious fashionable surroundings then the Fitzwilliam is definitely for you.

Later that evening pre dinner drinks and canapes were on the cards at the bar. Champagne, French Raspberry Martinis, Kiwi Bellini’s and Canapes were on the table before I could say a word. Each had an exquisite taste and the bar staff were great. Dinner was planned at Menu Restaurant, menu overseen by Michelin Star-Restauranteur Kevin Thornton. The décor was high class, as soon as I stepped out of the elevator I knew I had entered fine dining. The menu looked mouth watering, the staff were very attentive, it was a joy to sit where they took note of everything you wanted. For starters I opted for Roast Garlic and Fennel Veloute which was a soup, very rich and creamy with basil pesto swimming on top, to follow I opted for Raviolo of Mozzarella, Ragout of Roma Tomatoes, Confit Fennel and Roast Red Capsicum, the presentation was a delight, a work of art, I almost didn’t want to ruin the presentation. But as I was so hungry I dived in, and the flavours exploded in my mouth, a warm abundance of the red capsicum, the fennel almost aniseed like complimented the mozzarella well. Water was flowing and the wine too, never short of a dry mouth. The dessert menu was so vast, I decided to go for the most colourful fruity option of Pineapple Carpaccio Passion Fruit Sorbet and Coconut Ice cream, it was like sunshine on a plate, wow!

After dinner I headed out to The Crown Liquor Saloon, a traditional irish pub, the décor inside was superficial. I was told the ceilings are black due to the smokers, they tried cleaning it and it looked so horrible underneath that they decided to leave it as it was. The floor was laid in mosaic tiles, vigorous wood carvings throughout, ornate mirrors, wooden columns with Corinthian capitals and feathered motifs in gold. Painted and etched glass is everywhere you look. The long red granite topped bar is divided by columns and faced with coloured tiles.

Saturday was about strictly shopping and more food. I received a nice goodie bag of Matilda and Archer Travel products. I headed off to Una Rodden Couture on Upper Arthur Street, the dresses, jewellery were all so gorgeous. Headwear and Jewellery by bridal designer Catherine B were simply mystical, a bride-to be would be so lucky to have a custom handmade one off piece by Catherine. Also featured in the shop is Grainne Maher Millinery – bespoke headwear from a range of couture hats, fascinators, tiaras and corsages.

I love chocolate so when I went to Co Couture I was in absolute heaven. I tried four different kinds of chocolates, from solid dark coco to the finest smooth french beans. I was easily stimulated, the aromas were hitting the back of my throat. If you love all things chocolate from drinking to cooking to eating, and want that something extra special, Co Couture is the place to go, you won’t be left disappointed.

Once I had a little taste of Co Couture I headed off to St Georges Food, Craft and Antique Market in the Town Centre. As I walked in, my nose caught the quiff air of fish, and that smell literally makes me sick, so I had to hold my nose. Walked around and came across different stalls of food, sweets, drinks, jewellery, clothes etc. The stall that took my fancy was the Sweet Trees and the Glass Bottle Stall. A nice cultural shock to see a jazz band playing beautiful mellow tones and people sitting, eating with friends and family, a nice community coming together.

Any girl loves jewellery and the weird and wonderful things in life, Stray is for you, like it is definitely for me too. Stray is a cute quirky shop offering hand-crafted jewellery, owned by Julie Stray. Stray has a range of costume jewellery, fun gifts for quirky kids, sweet stuff for your home, weird ‘n’ wonderful stationery, and those pieces that will make you stand out from the crowd, because no body likes a sheep. It’s definitely a stand out from the usual boring high street shops.

I went inside Victoria Square Shopping Centre and went straight to the top of the dome, if you are scared of heights this isn’t for you, but I must say the 360 degree panoramic views are amazing, took the elevator right to the top floor and once I descended out I saw what was truly stunning.

Situated in the town centre on Arthur Street was Avoca – a family run company that spans one of the world’s oldest surviving manufacturers and Ireland’s most exciting stores and cafes. The shop was beautifully decorated, felt as though I belong there as I walked in. Went upstairs to the cafe for lunch. The setting and atmosphere was calm yet lively, just the kind of atmosphere one needs after walking around the shops, a good place to put your feet up and chill. With wooden tables and seating areas, on the table was a jug of water with fresh mint inside, refreshing after a long morning. The lunch menu looked appetising, spoilt for choice as always. I opted for the Salt and Pepper Calamari with Lemon & Basil Mayonnaise and Sweet Chilli Dip, it was very yummy, presented on a wooden board, with a bit of green salad. After lining my stomach I wondered off to have a look around on the ground floor, I came across some porcelain china teapots, it reminded me of when I was a  little girl, my grandmother would pour tea out of one every morning. Avoca looks to create colour, fun and style to seek out the interesting and the beautiful.

Next on the hotlist was Lizzie Agnew in the Fountain Centre on College Street. Lizzie makes fabulous vintage and antique style dresses and gowns from the most glamourous eras of the 1930s and the 1950s. Her studio was of a large size, her sewing machine so old school took me back to the days where my grandmother had one. I got to see the wonderful wedding, bridesmaid dresses and the beautiful veils and corsages. One of the most anticipated dress still under construction is the ‘Titanic Dress’, truly astonishing, cant wait to see the completed piece. Her showroom is every girl’s fantasy, gorgeous silk gowns and soft fabrics.

I was looking forward to visiting Lisburn Road, it is one of the finest shopping districts in the UK, currently nominated for Best Fashion Street by Google Maps. With over 100 businesses catering for every taste, it has never been more diverse, exciting and appealing. As I went down the stairs of Bedeck I came across Jacob street, which is owned by stylist Maureen Collins. The boutique offers original and quirky alternatives to the high street. The boutique features an array of hand-picked designer jewellery, home accessories, ornate furniture, and desirable vintage clothing. Maureen has incredible taste, the boutique was wonderfully set out, I found the bird cages and head fascinators lovely, its affordable glamour. Definitely one of my favourite vintage boutiques.

Last stop was Innocent Chaos created by local textile artist Sharon Hay. Innocent Chaos is a fashion and jewellery range that speaks of a world almost forgotten in adulthood. It’s a collection of bespoke jewellery designed to add a sense of playfulness and excitement to every outfit. Although it was a small studio, it had some of her best work, like the custom designed shoes, bridal brooches and vintage bouquets made out of buttons.

After a tiring day, dinner was at Love and Death located on the high street. The interior was simple, I did like the hanging bicycle from the ceiling, I started the night off with a Strawberry Daiquiri, the food menu was simple yet mouth watering. My eyes went straight to the Goats Cheese in Beetroot with Honey Glazed Walnuts and for mains the Fancy Fish and Chips. Presentation of both dishes were phenomenal, the goats cheese looked ravishing, and the fancy fish and chips on a wooden board, chips presented in a little cup like you get when your on the beach. The Goats cheese in Beetroot was very tasty, the flavours created an explosion, not too sweet or bitter, just cleansed my palette well before having the fish and chips. I would highly recommend both dishes, they weren’t too filling so had room for dessert. For dessert I opted for the Apple Tart with Peanut Butter Ice Cream and White Chocolate Parfait. My taste-buds were in overdrive. The staff were a delight, the food went down well and the drinks were flowing. Love and death is the kind of place that appeals to foodies, clubbers, live music lovers and cocktail drinkers.

My last day in Belfast, I wasn’t looking forward to going back to London. I was very excited about the Spa appointment at the Merchant Hotel. I needed to relax and unwind after two long days. As I arrived I was taken down the spirally wooden steps, unwinding to the basement where it was dark and airy. Sat down on the big white comfy chair to do a quick consult. As I dipped into the hydrotherapy pool the bubbles and the force came gushing towards me, it felt wonderful and I felt relaxed and calm, the stress was released and I went into zen mode. Next on my list was the sauna, as I love heat, it was perfect for me to just sit and relax and not think about anything. It was an incredible experience, the only downfall was the hotbeds weren’t hot enough. I was called for my 25 minute back massage by Carol, my masseuse, she was friendly and attentive to my needs, Carol used a chamomile and lavender herbal oil to de-stress and take out the knots on my upper back area. She applied medium pressure which I was very happy with. It felt as though a pile of bricks had been lifted off my shoulders and I could feel normal again. It was one of the best massages and spa experiences I’ve had.

After detoxing I was rather thirsty and hungry, so headed off to Berts Bar for a Jazz Brunch. Berts Bar is situated inside the Merchant Hotel and it encapsulates sleek elegance of the art-deco era, complimented by the very best in live jazz. It has a timeless setting transporting you back to the chic intimate jazz setting of 1930s New York. A French bistro style menu was presented to me, had a whizz through and chose the Portavogie Prawn Tagliatelle with chilli pistou, courgette, toasted pine nuts and garlic bread. It was the best option for me as it was light, fresh and gentle. The service was also exemplary.

It was a brilliant weekend in Belfast, highly recommended to anyone wanting a city break. The people are very friendly, and everything is literally at your doorstep. MTV EMA’s will be held at the Odyssey Arena on 6^th November 2011. I would recommend visiting in April 2012 as the centenary of Titanic’s maiden voyage sees the opening of the the state-of-the-art six storey Titanic Belfast visitor attraction, built at the head of the slipways from which Titanic was built and launched.

INFORMATION

Low cost airline, bmibaby, offers daily flights to Belfast City Airport (just minutes from the city centre) from East Midlands Airport and Birmingham Airport and a frequent service from London Stanstead. Recently voted Best Low Cost Airline by the readers of Conde Nast Traveller, fares start from just £14.99 one way including taxes. For further information or to book a flight visit: www.bmibaby.com

I stayed at the Fitzwilliam Hotel on Great Victoria Street in the heart of Belfast City Centre. The designer hotel has a host of packages including Autumn offers from £120 per double room per night, breakfast and a 2-course evening meal: www.fitzwilliamhotelbelfast.com

For more information on what to see and do in Belfast, visit: www.gotobelfast.com

Katrina Doran Editor of Sugahfix.com

Sugahfix.com is Northern Ireland’s No.1 online guide to fashion, beauty, entertainment and style for fashion-conscious females. Winner of Best Blog at NISMA’s, Sugahfix.com is the go-to website to fill up your social calendar and get inspired with ideas on what to wear. Visitors to Belfast should check out Sugahfix.com’s Style section to get an insight into the style of Belfast fashionistas. The VIP Directory is a must to plan your shopping trips for all the best boutiques, indulgent spas, top salons and the sweetest treats, as well as current discounts and special offers. Log onto www.sugahfix.com

Words Priya Kerai

FASHIONISTAS AND FANS OF THE TV SHOW BRITAIN & IRELAND’S NEXT TOP MODEL GATHERED AT THE EXCEL HOUSE TO CELEBRATE FASHION, BEAUTY AND GLAMOUR.

The event offered the latest beauty treatments (manicures, pedicures, massage, professional make up, laser teeth whitening, fake tan, hair removal treatments, boob jobs, hair extensions…), fashion trends, workshops and the chance to get spotted by top model agencies.

Joey Bevan, the official fashion designer of BINTM, presented his latest collection, “Land of the Lost Toys”, inspired by Tim Burton fantasy’s world and Lady Gaga.

TOWIE’s star Lauren Goodger presented her hair extension range and also, Amy Childs launched her brand new womenswear collection.

All of the girls from series seven made their catwalk debut at the BINTM live tour, where they modelled different outfits from designers such as Jayne Pierson, Alice Vandy, Elle Mcpherson, Austin Reed and Firetrap. The band Luminites and the Swedish singer Bluey Robinson entertained the audience with their dazzling performances.

Truly girly and fun, the event was the perfect excuse to get pampered, do shopping and taste the BINTM lifestyle!

www.bntmlive.com

 Words and images Verónica Carpio Martín

GLENDA BAILEY IS ARGUABLY ONE OF THE MOST PROMINENT WOMEN IN FASHION. SINCE BEING MADE EDITOR- IN -CHIEF OF HARPER’S BAZAAR SHE HAS TRANSFORMED THE MAGAZINE. IN CELEBRATION OF HER TEN YEARS AT THE MAGAZINE, SHE HAS TEAMED UP WITH CREATIVE DIRECTOR STEPHEN GAN TO PRODUCE A COLLECTION OF THE MOST STUNNING PHOTOGRAPHS TITLED ‘HARPER’S BAZAAR: GREATEST HITS’. JENNIFER BUTLER SPOKE TO GLENDA BAILEY ABOUT HER NEW BOOK.

Why did you decide to release a collection of photographs featured in Harper’s Bazaar and why did it seem like the right time now?

I wanted to celebrate the work of all the fantastic photographers, stylists and writers that I have been privileged to work with at Bazaar over the last 10 years. When Stephen Gan and I started at Bazaar a decade ago, we wanted to create a joyful tribute to the world’s best fashion, talent and artistry each month.

How did you choose the pictures that went in to this book? Are they personal favourites?

As I edited the book last summer, I was struck by how many remarkable images I had to choose from. I have so many favourites, but in particular; Jean Paul Goude’s fantastical portraits of Naomi Campbell, William Klein’s portfolio of designers and their team (Lanvin’s Alber Elbaz brought a bus full of people), Peter Lindbergh’s cover of Kate Winslet hovering over the Manhattan skyline, Demi Moore and the giraffe, Marc Jacobs and Winona Ryder recreating ‘Who’s Afraid of Virginia Woolf’ and sending the Simpsons to Paris (Marc Jacobs even got a tattoo of his Simpsonized self on his arm)

Why did you decide to realise a book of pictures rather than features of interviews?

We included a feature or interview from each decade in this book, but we had a lot of brilliant work to choose from, which leaves another opportunity for the next book!

What do you look for in a photograph to make it onto the pages of Harper’s Bazaar?

It must be iconic and epic.

What photographer have you been most proud to work with? Did you have any lifelong dreams?

Richard Avedon – I got to meet him on the first day on the job at Harper’s Bazaar, and it’s been a highlight of my career.

Harper’s Bazaar: Greatest hits is published by Abrams and Chronicle and available now at Amazon.

Words Jennifer Butler  Images Harper’s Bazaar

AGENT2 FEATURED THE FANTASTIC DEBUT COLLECTION AND INTERVIEW FROM RAUN LAROSE LAST SEASON AND WE BRING YOU HIS LATEST COLLECTION FOR S/S 2012

This Brooklyn based, young and upcoming designer is destined to be a big name and has been on the AGENT2 ‘One to Watch’ radar for quite some time now. His latest collection sees an exciting progression since we last saw him and Raun states:

“For this collection I was inspired by my childhood.  I retraced the steps of my youth in search of things that were the most memorable.  Backpacks, comic books, and thoughtful pairing in sport attire.  As a menswear designer I strive to expand the concept of contemporary mens fashion through innovation. To challenge myself and explore new techniques, giving fruition to one of my key looks.”

To add to the buzz around Larose, Vogue Italia recently named as ‘fashion’s future’ in their menswear category.

Words Graham Gartside Bernier

AS MANY OF OUR AVID READERS ARE PROBABLY AWARE, WE ARE MASSIVE FANS OF PUNK HERE AT AGENT2 AND THE FANTASTIC COLLABORATION BETWEEN LONG CLOTHING AND BOY LONDON IS NO EXCEPTION!

We just had to bring you these amazing images from a series of shots by London photographer Teddy Fitzhugh that were taken to celebrate the Long x Boy collaboration earlier this year.

The collection focuses around a group of friends whose lives embody a distinct attitude and spirit found in both brands. The photos intend to provide a reflection, not only of their relationships with each other, but also of the distinct connection between the clothing and their lifestyles.

Check out the rest of the series here.

leavetheboyalone.com | longclothing.com

AT THE BEGINNING OF LAST YEAR, A YOUNG SPANISH PRODUCER CAUGHT OUR ATTENTION HERE AT AGENT2. AFTER HEARING A DEEPLY HYPNOTIC TRACK CALLED ‘IN ANOTHER ROOM’, RELEASED ON BARCELONA-BASED HIVERN DISCS, WE INSTANTLY WANTED TO HEAR MORE. SO, WE DID AND WE WERE HOOKED. A YOUNG MAN BY THE NAME MIGUEL BARROS AKA PIONAL SOON BECAME ONE OF OUR FAVOURITE EMERGING ARTISTS.

We scraped around and managed to find a few of his old tracks online, but over the past 12 months new releases and remixes have been springing up left, right and centre. One track that stood out in particular was the epic ‘We have Been Waiting For You’, which cropped up in clubs and DJ mixes the world over.

Pional has worked closely with the likes of Jon Talabot and Gavin Russom and it looks like the world is starting to pay attention to his unique sound. And so they should. His latest release comes courtesy of German label ‘Permanent Vacation’ where he joined forces with Hunee, Slow Hands, Session Victim and several other great artists to produce the critically acclaimed ‘If This Is House I Want My Money Back 2’ compilation. It is virtually impossible to pigeonhole Pional’s style, so we won’t do him an injustice by trying.

We caught up with the man himself to find out more.

You have several releases under your belt now. How did you get started with producing your own tracks?

It all started two years ago when I met the people from Hivern Discs. Actually, I’ve been making music for 10 years now, but I never took it that seriously. It wasn’t professional, just a hobby.

Looking through your back catalogue, it’s extremely difficult to put a genre to the sound. How would you describe your music and where does it all come from?

I tend to like making clear sounds. I often make the music that influences me and the music that I listen to, but at the same time I like the fact that my music sounds different to everything else. I don’t usually think about the clubs when I make my music. I think that the perfect mixture is a blend between home and dance floor.

I could describe my music as ‘slow-house’? ‘Electronic/alternative/pop-house’? (Laughs)

I have many influences; I have no prejudices about it. Right now you can catch me listening to Katy B’s new album and yesterday I was listening to St. Vincent. So, my influences could be kind of…freaky?

Do you give any time to DJing or do you spend all of your time in the studio?

My first ever live show last month in Copehagen, so I guess you could say that I spend most of my time in the studio! I’m not a DJ. Most days, when I get home I’ll normally spend around six hours making music.

You mentioned the live show. How did it work and did it go down well with the crowd?

Yes, I had a great time. There were no problems and I was very comfortable technically with the equipment that I took. I had great feedback from people; they really liked it (or so I think).

Do you look to anyone for inspiration for your live show? Who do you enjoy to watch perform live?

No, I don’t look to anyone for inspiration when it comes to my live act. Honestly, the acts that I generally see just have a laptop, a midi controller and nothing else. I would prefer to see interesting shows.

Right now, I don’t know who I’d like to see. I guess, like many others, I’d like to see a James Holden live act.

Yourself and Jon Talabot seem to be flying the flag for Spanish electronic music at the moment. Why do you think your music is so well received abroad?

Yeah, it’s cool! I guess it is well received thanks to the internet and word of mouth. Hivern has managed to achieve something that very few Spanish labels have in the past; people are talking about them, and that’s very cool.

‘We Have Been Waiting For You’ took everyone by surprise and got a lot of people talking about Pional. What’s the story behind that track? 

Well, I made that track four months before I sent it to the Hivern boys. The track originally had a very poppy drum kit and it didn’t have a 4/4 bass, clips or anything like that. It was basically a pop tune that lasted 3 minutes. The lyrics are taken from the TV show ‘Lost’. In fact, the title is the last sentence spoken by John Locke.

Have you got any new releases in the pipeline? An album perhaps?

I just finished several remixes, so right now I want to focus on preparing new material. For 2012 I plan to work on the album; I’m looking forward to it!

We’re guessing that your diary is will be filling up pretty quickly as the word begins to spread about your music. Have you got any more shows planned?

(Laughs) The truth is, that I have several interesting shows coming up around Europe (TBA).

Will you be making an appearance in the UK?

Not that I know of, but hopefully soon.

And finally…If you could banish one song to hell for all eternity, what would it be?

Black Eyed Peas – The Time (Dirty Bit)

Interview Dan Howell

CANNES THE SOUTH OF FRANCES MOST CELEBRATED PLAYGROUND CAN BE REPRESENTED IN ONE WORD: INDULGENCE. ONCE THE SUMMER SUN STARTS TO HEAT ITS MEDITERRANEAN BEACHES, MEGA-YACHTS PACK INTO THE HARBOR, LUXURY ITALIAN CARS PROWL LA CROISETTE – THE CITY’S CLOSEST STREET TO THE BEACH. RICH INDUSTRIALISTS DISPENSE TENS OF THOUSANDS OF POUNDS ON BUBBLY IN A-LIST NIGHTCLUBS AND EVEN MORE IN DESIGNER BOUTIQUES THAT ARE IN ABUNDANCE AROUND THE TOWN CENTRE. RECENT YEARS HAVE SEEN NEW TYPES OF PAMPERING EXPLODE — NOT ALL OF THEM RESERVED FOR THE SEVEN-FIGURE SET — THANKS TO NEW HOTELS, PARTY SPOTS AND RESTAURANTS.

Whatever your income bracket, there’s a place to play in.

In May, Actors and film directors come here for the glory via flashes, on the red. If La Croisette, designer boutiques and its Palais des Festivals have given Cannes the international glory. The city, if you scratch the hollywoodian relatively new polish, hasn’t forgotten its humble past and its warm traditions. You need to visit the region when the 4500 journalists, 300 television networks, 200 press agents and 150 radio stations are away, before or after the festival and gets its real French character. In Cannes, the center of tourist activity is in fact the mythical boulevard de la Croisette that extends towards the East End from the new Palais des Festivals along the Rade de Cannes, with its fine beach. Luxury boutiques and pretty buildings dating from the Belle Époque period dominate that boulevard.

Le Suquet area

Climb up and around through the narrow cobbled streets, towards the hill, topped by a medieval castle (now Musée de la Castre). That 15-20 minute effort will be rewarded by the astonishing views of the famous city’s west end, the port, the Croisette and Palais des Festivals and even the mysterious Lérins islands.

WHAT TO SEE

Musée de la Castre and Sainte-Anne Chapel

The museum houses a remarkable variety of antiques –collected by the Baron Lycklama who left them to the city in 1877. You can discover the superb selection of antique music instruments from around the world and some great landscapes depicting 19^th century Riviera before its Americanization. After that visit, I suggest you climb up the 109 stairs that leads you to the tower’s top terrace where you will get the perfect and unforgettable views of the city.

Marche Forville

The famous market is at the bottom of Le Suquet, so that could be where you are heading next, after the breathtaking views from the top of the hill. The market was first open in 1870 (although it has been refurbished in the 1930’s, explaining its Art Deco feel) and is called “Le Ventre de Cannes” or “Cannes’s Belly” is open the mornings, up until the early afternoon. The glamour and the glitz from La Croisette is nowhere to be seen here, where a typically French showcase of tasty things, with no frill takes place. You will encounter la joie de vivre at its best and the produce that comes with it, without Prada and co. No Ferraris here but some darn good cheeses and tasty olives!

Lérins Islands

Saint-Honorat Island and Sainte-Marguerite Island offers a monastery where the monks sell their own wine with a worldwide’ reputation of quality. Saint-Cézaire in white and Saint-Sauveur in red are now on the best tables in France (40 to 50 Euros a bottle). To protect the monastery, a fortress was built in the medieval times and now houses the Musée de la Mer and Fort Royal. Originally built as a castle, turned into a citadel and finally a State Prison where the enigmatic Iron Mask , the supposedly twin brother of Louis XIV was jailed. Ferry excursions takes 15 min for Saint-Honorat Island and 30 min for Sainte-Marguerite Island and no motors are tolerated there, only pedestrians.

abbayedelerins.com

WHERE TO EAT

Fouquet’s restaurant

Try the upscale brasserie tradition with a Mediterranean touch.

La Petite Maison

Offers French and Japanese cuisine à la carte.

24 -  Suquet

Try the fine and creative food with a cosy atmosphere.

WHERE TO STAY

Majestic Barriere Hotel

A great French Riviera’s gem, in addition with the refined décors and the hi-tech equipment, this five stars hotel offers an excellent deluxe service and has a dream location on La Croisette. After its stupendous extension, the Majestic Barrière now offers 44 new apartments, two penthouses, which joins the 305 existing rooms and suites (that were revamping 2 years ago). This hotel is a member of  ‘The Leading Hotels of the World’.

Lucien Barrière and Christian Dior have a long-standing relationship and are both devoted to luxury and French elegance. Majestic Barrière values the grand couturier all the more given that every year during the Cannes Film Festival Christian Dior always books one of the best suites in the hotel. In the dining room paved with stone and Hungary parquet, the rotunda cleverly recalls the ceiling of the famous Dior boutique on Avenue Montaigne in Paris and the huge Louis 16th table is surrounded by the legendary grey and silver medallion chairs. The cushions on the sofa in the lounge bear the same historical folded pattern as the Dior emblem and are of the same shade of bright red (Rouge Eclatant) created by Christian Dior himself in 1947. The bedrooms are a tribute to the boutique rooms on Avenue Montaigne with the same shades of grey, Pullman armchairs, cane-work bed-heads and a perfect copy of the original Monsieur Dior’s desk.

majestic-barriere.com

MOUGINS

Escape to the country, only 15 minutes away from Cannes, in the town Picasso choose to call home for the last 15 years of his life. This superb medieval village is a gem set amongst the paradisiacal mountains, cypress, pines and olive trees. The village is surrounded by a lush forest covering nearly 430 hectares and was successful in preserving the quality of its environment intact. Because of its dream location, the tranquility or its links with the art and cultural world, many celebrities have chosen to establish themselves here in Mougins (Fernand Léger, Man Ray, Jacques Brel, Christian Dior, Jean Cocteau and Catherine Deneuve all have properties in the communauté)

WHAT TO DO

Visit the old town and fountains, St-Jacques-Le-Majeur church, St-Barthélemy Chapel, as well as the very worthwhile Photography Museum. You can stroll across the small narrow streets to discover the many galleries and art studios. International Festival of Gastronomy – Les Étoiles de Mougins – A key event in French and foreign gastronomy, the festival gathers the finest chefs each year in September.

lesetoilesdemougins.com

WHERE TO STAY

Royal Mougins Golf Resort

Outstanding geographical situation as well as its perfect integration into the natural setting, this recent 4 stars deluxe hotel is unique with its 29 suites with huge private terraces with stunning views of the enchanting surroundings. This is the paradise on earth.

royalmougins.fr

NICE

If Cannes has a cute fishermen village vibe, Nice has an incredible city energy, only few miles away.  Nice is cheerful and bustling, dynamic and passionate. I was absolutely taken by its beauty and made my mind on which city in Côte d’Azur was my favorite… by a mile!

Start your visit of Nice with Place Massena that was built in the 1840’s with pretty arcaded buildings painted in Pompeian red that reminded me how close Italy was from there. Three years ago, the Spanish artist Jaume Plensa installed his 7 statues –that looks like modern, slim and young buddhas- all facing the Place. That installation is titled ‘Conversation in Nice’ and represents the 7 continents. You will be pleasantly surprised to know that Nice has kept its dialect called the Nissard. This language is very much alive and because of the dynamism of cultural association, the dialect – part of the Occitan linguistic family – is being taught to the younger generation. Nissard’s vocabulary is essentially drawn from Latin, spoken by the Roman colonists who built the city of Cemenelum. All streets names and touristic signs are including the dialect. Walk towards the famous Promenade des Anglais. The seaside road is always crowded but never dirty, always kept immaculate and follows the harmonious curvy Baie des Anges. Originally, the footpath was no more that 6 feet wide and was widened by Englishman, Lewis Way with his own pocket money, in 1820 – the path was then nicknamed ‘Chemin des Anglais’. From La Promenade, go towards the hill, called Castle Hill, that is what’s left from the site of the first town founded by the Greeks, then the first medieval town. Only a fragment of wall was kept as well as few foundations but the unique views from the top terrace a enough to stop moaning about what’s left from the Greeks. When you go back down that hill, you will end up in the heart of the Old Nice. Old Nice contains about 600 shops. Many boutiques offer local specialities and typical gifts. Narrow streets and baroque churches will mesmerize your spirits and fill your eyes with unspoiled beauty and probably make you walk slower!  Stop at the very picturesque Flower Market at Cours Selaya and have a little snack by trying the Nicois speciality; the Socca. The flat cake made from chickpea flour and olive oil, baked on a huge cast iron pan, will filled your empty stomach and you will be delighted, ready to carry on your extended walk through the city. Here are few of the must-see sights:

THINGS TO SEE

Matisse Museum

A 17^th century villa houses the personal collection of the painter who lived in Nice from 1917 until his death, in 1954. It offers a great panorama on his career, covering all periods – including his very first painting made in 1890, the gouache cut-outs as well as hundreds of drawings and prints.

musée-matisse-nice.org

Museum of Archeology and Nice-Cemenelum

Cemenelum was declared capital of Alpes Maritimae, an ancient Roman Province, in 14 BC by the Emperor Augustus. The ruins that can be visited include the great amphitheatre that could seat about 5000, baths, some paved streets (3^rd century AD) and a Palaeo-Christian complex (5^th century AD). The visit of these ruins were definitely the highlight of my whole trip! The museum was open in 1989 and displays a great collection of ceramics, glass, jewellery, coins, sculptures and tools from the Bronze Age to the Middle Ages.

Musée-archéologique-nice.org

Cours Saleya Flower Market

Go early and smell the local soaps and colourful flowers. Every morning from 6, except Mondays.

Tête Carrée

Designed by the sculptor Sacha Sosno, the ‘Square Head’ is the key symbol of the city’s contemporary achitecture with its 30 metres high and 14 metres wide, this impressive monument is open to the public.

bmvr-nice.com

WHERE TO EAT

L’Aphrodite

Be prepared to discover the French version of Heston Blumenthal’s experimentations with the use of liquid nitrogen in the newly awarded Michelin red guide star David Faure’ cuisine. restaurant-aphrodite.com

L’Oliviera

Sample all different types of olive oils with regional cuisine. The friendly restaurateur will give you advice on how to flatter your dish with the perfect wine combination.

Le Patio

Chef Pascal Gorris’s use of local fresh produce works magically well and makes you believe in the superiority of French’s culinary talents.

hôtel-la-pérouse.com/en/bar-restaurant/

WHERE TO STAY

Boscolo Exedra Nice

This stylish, quirky and white hotel (inside and out) has everything to offer for the best stay in the city, including the location and trendiness. 10 min walk from the seafront and railway station.

boscolohotels.com

HOW TO GET AROUND

Vélo Bleu (Bicycle rental)

One thousand bicycles are provided for self-service rental in Nice. First 30 min of use is free but rental cannot exceed 24 hours.

vélobleu.org

Segway

Personal Transporter is the environmentally friendly way to be seeing the city without any effort. The Segway offers fun and a modern and unique experience.

bice.mobilboard.com

HOW TO GET THERE

Cheap flights to Nice from Liverpool John Lennon Airport and London Gatwick

easyjet.com

All the info you need on France and the Cote d’Azur:

franceguide.com / www.frenchriviera-tourism.com

Words and images Vincent Bernier

First out on the catwalk, Central St Martin’s graduate Alice Lee had knitwear cleverly laced with leather and fabric to produce an almost chainmail effect, used to most striking effect in circular headpieces. It was this lacing which produced the effects in the pieces rather than patterns or seams; from empire lines on dresses to stripes on sweaters. Jewellery including bangles and collars were produced with the same method and the result was a collection that managed to be unusual and innovative as well as wearable.

Phoebe English’s collection was composed of a series of deconstructed pieces with trailing threads, ripped away hems and dip dyed fabrics. A nod to 90s grunge was present in the monochrome palette and clumpy flat shoes combined with the hair; either slicked back completely or hanging long and straight over one side of the face. The boxy cuts and plain colours seemed simple at first, but they served to show off the incredible hand detailing in the fabrics; tiny pleats in shift dresses and feathery edges which looked like swan down on the white pieces.  For me this English was the standout of the whole show, grunge elements having always been a weakness of mine.

The only one of the four not a graduate from Central St Martin’s, Malene Oddershede Bach also stood out from the rest of the show for her use of vibrant colours; reds, blues, yellows and pinks all featured as the binding glue of a collection comprising of many different styles. There were unicolour shirt and suit combinations, mini dresses over chiffon maxi skirts, billowing shoulder and embellished tops, each look paired with perfectly matching heels for an ultra coordinated approach. It seems that yellow is to be the colour of s/s12 and Bach used it to maximum effect in a vivid leather biker jacket with double zip detailing.

Taking a more avant garde approach was Shao Yen, another graduate of Central St Martins. A spin on the traditional little black dress saw a piece composed entirely of loose knit fringing in a rigid yarn which stood away from the body in dramatic spikes.  There was more than a little of a bondage element in the collection, with leather straps containing the body and asymmetric tailoring exposing thighs and breasts along with transparent fabrics and platform heels. The collection wasn’t the most easily accessible of the four but it certainly demonstrated an unusual and interesting style.

All very different but very talented designers, Ones to Watch certainly lived up to its name and I eagerly await the next season’s offerings from all four showcased.

Words Tamsin Worrad 

AS PART OF THE COLLABORATION BETWEEN GLAM MEDIA AND RIMMEL LONDON FOR LONDON FASHION WEEK, THEY CREATED THE ULTIMATE ATTENDEE’S SURVIVAL KIT. AGENT2 WERE LUCKY ENOUGH TO GET THEIR HANDS ON A PACK AND GAVE THE PRODUCTS A TRAIL RUN.

These new lipsticks, available in 7 shades, were created for Rimmel by long time brand ambassador Kate Moss. I got the darkest purple shade which looks amazing in a goth inspired way, perfect for a/w 11.

The eyeshadow quad consists of 4 shades for blending and contouring and I’m impressed with their staying power. Definitely a must when make up is sliding off your face under the hot show lights.

Tired eyes have a tendency to set in after a few days of hectic running from show to show and this Extra Wow Lash mascara is great for making you look more awake than you really feel!

The new Match Perfection Cream Gel foundation covered up my tired eyes perfectly and stayed on even on the busiest, hottest tube journey between shows.

The top product in the whole kit, for me, was the Fix & Perfect Pro Primer. It brightens and livens up a tired complexion and ensures that foundation glides on smoothly and lasts longer. I got lots of compliments on my skin whilst wearing this one!

All in all, a great selection of products that kept me looking fresh even when feeling I was about to drop. Thanks to Glam Media and Rimmel for letting us try them out!

Words Tamsin Worrad

 

THE MUSIC ACCOMPANYING MALAYSIAN DESIGNER BERNARD CHANDRAN’S SS12 SHOW WAS A MIX OF CLASSIC DOO-WOP AND MODERN HIP HOP WHICH SLOTTED IN PERFECTLY WITH THE THEME OF THE COLLECTION, INFLUENCED AS IT WAS BY THE GLAMOUR OF THE 1950S BUT WITH A CONTEMPORARY EDGE.

Instead of directly using the shapes and styles of the decade, Chandran instead took inspiration from the effort and creativity that went into the fashions of the times. Everything screamed high octane glamour, with luxe metallics and thick fringing featuring heavily throughout. Mimicking 1950s cat eye glasses, the models wore bright blue eyeliner which worked to eye popping effect on dark skin. The era influence become more evident as the show went on, when classic prom dress silhouettes appeared with detailed ace cut out sections it was a floor length black satin dress with thigh high side split which to me represented the ultimate in elegant evening wear. Black lace gloves toughened up the ladylike looks along with bright pops of colour to modernise the vintage theme and the overall impression of the collection was one of nodding to the past whilst continuing to look to the future.

Words Tamsin Worrad  Images Christopher Dadey

THE UK FESTIVAL SCENE MAY SEEM AN OVERLY CROWDED MARKET BUT APPLE CART, HELD IN EAST LONDON ON 7TH AUGUST, PROVED THAT THERE’S ALWAYS ROOM FOR ONE MORE. APPLE CART TOOK PLACE THE DAY AFTER THE MORE ESTABLISHED FIELD DAY, RUN BY THE SAME TEAM AND IN THE SAME PLACE BUT THE ATMOSPHERE COULDN’T HAVE BEEN MORE DIFFERENT. THE CROWDS OF YOUNG EAST LONDONERS WITH INTIMIDATINGLY FASHIONABLE HAIRCUTS WERE REPLACED BY FAMILIES WITH PUSHCHAIRS AND GROUPS OF FRIENDS WITH PICNICS. SOMEWHERE BETWEEN A VILLAGE FETE AND LATITUDE, THE DAY AIMED TO PLEASE BOTH ADULTS AND KIDS ALIKE WITH AN ALMOST OVERWHELMING AMOUNT OF ENTERTAINMENT ON OFFER.

As it happens, it turned out that adults and children aren’t so very different in their tastes. Considerably more grown-ups than infants were taking part in the traditional fair games although they were a little too energetic for me to be entirely comfortable with on a Sunday. Similarly, although children made up the primary audience of the prestigious Magic Circle run tent there were plenty of adults (myself included) hanging round self-consciously at the back in a desperate attempt not to be asked to take part.

A little less child friendly was the comedy tent; in a brilliant scene stealing moment an outraged toddler heckled Mark Steel for swearing too much. Boasting a stellar line-up that made it one of the most popular areas of the festival, the tent was consistently overcrowded throughout the day. I was already familiar with Marcus Brigstocke’s brand of brilliant satire but Doc Brown’s mix of rap culture and subjects such as David Attenborough was a hugely pleasant surprise. The chance to see Kevin Eldon in stand up mode had clearly got a lot of people excited and although the crowds moved in to try and get as many of the festival goers out of the rain as possible those of us stuck outside to get wet didn’t really mind at all. Jon Richardson, in typically self deprecating mode pointed out that you’d have to be really terrible to have people leave the tent and brave the pouring rain outside but he needn’t have worried; I suspect the tent would have been just as full during his set if it had been blazing sunshine.  As his career continues to gather momentum at a startling rate the chance to see him in such an intimate venue was not to be missed. The main comedy draw for most, however, was Tim Minchin who played the main stage having clearly gotten too big for the (perhaps too) tiny comedy tent. He played with all his usual charisma and wit, although the very mixed audience meant that his unique brand of musical comedy seemed to miss the mark with several punters.

Earlier on in the day the always flamboyant Patrick Wolf took to the same stage shrouded in a hooded cloak which he threw off to reveal one of his trademark iconic outfits; a stunning red three piece suit to match his vibrant hair and bags of stage presence. In a touchingly earnest moment he dedicated the song ‘Black is the Colour’ to his friend the late Amy Winehouse, whom he toured with back in 2007. Later on in the afternoon a summery set from the The Magic Numbers cheered the rain drenched crowds and fitted the atmosphere of the day perfectly, as did the gorgeous electronic pop of Saint Ettiene who closed the festival as darkness set in across the park and Monday morning became more of a reality. The folk stage, curated by scene stalwarts SWN, Communion and Fence was hidden away in a peaceful corner of the site, with sofas to recline in whilst enjoying the lush sounds of such artists as Peggy Sue, Cate Le Bon and Michele Stodart (of The Magic Numbers).

As if the offerings of music, magic, comedy and games weren’t enough there was also the chance to design your own book cover with Penguin, buy some canned feeling of unease over at Monster Supplies from the Ministry of Stories, take in some culture with the Art Car Boot Sale and enjoy a seemingly endless variety of food on offer from Venn Street Market that made me a little disappointed it wasn’t possible to try it all. The Cabaret tent provided actual tables and chairs in a very civilised move for a festival but it was popular enough to ensure it was difficult not to end up standing, especially for singer, pianist and all round entertainer Chilly Gonzales and DJ sets from the likes of Andrew Weatherall and Kevin Rowland.

It’s a testament to the success of the day that even the torrential downpouring of rain couldn’t dampen the enthusiasm of the festival goers; running to the trees for shelter with a group of strangers actually added a sort of odd charm. If anything, unpredictable shifts in weather couldn’t have been more appropriate for such a typically British festival as Apple Cart turned out to be, in the best possible way.

www.theapplecartfestival.com

Words Tamsin Worrad

 

HAVING GONE TO SEE BELLE SAUVAGE’S SHOW IN FEBRUARY 2011, I DECIDED IT WAS TIME TO WORK BACKSTAGE AND GET SEE HOW THEIR CATWALK SHOW WAS RUN. AS WELL AS GETTING A FIRST GLIMPSE OF THEIR SPRING/ SUMMER COLLECTION.

After a few footwear malfunctions and stress surrounding how to get the clothing over the large hats the lovely models were wearing, the show was off without a glitch.

As usual their beautiful silhouettes ad flowing dresses prove that they are a glamorous label to suit every body shape.

Pink, blue and yellow printed dresses graced the catwalk, with a red leather number to add a different dimension to the strong prints.

Japanese inspired floral net dresses floated down the catwalk. The highlight was undoubtedly the tight blue abstract dress with pale blue chiffon and killer splits up the side. With a cut out low back, the dress was desired by all the ladies backstage and in the audience.

Padded shoulders gave an Amazonian look on the models, giving a classic Belle Sauvage futuristic feel. The line was girly, fun and beyond beautiful.

Words Jennifer Butler  Images Rob Sheppard 

  

I HAVE ALWAYS BEEN A HUGE FAN OF KTZ. AND BEING GIVEN THE OPPORTUNITY TO GO BACKSTAGE WAS A DREAM. THEN YOU REALISE THE EXTENT OF THE DETAIL AND LAYERING THAT GOES IN TO SUCH AN INTRICATE COLLECTION.

The men had a much detail as the women, with South American designed techni-coloured stitching and beaded belts, bags and anything in between. Oversized grey denim and logo covered jackets were a favourite amongst the male models. All with complicated belts and buckles which went over shoulders and around legs.

The women looked powerful yet stunning in beautiful beaded dresses, some of the most stunning I have seen throughout Fashion Week. See through black, gold and sequined kaftans with leather and studded underwear were the highlight of the collection.

There was also an assortment of pretty bow covered cocktail dresses in purples and pinks. Beaded hats, earrings and bracelets complimented the bright colours. This collection was not for wall flowers. Everything that went onto the catwalk felt incredibly fresh and exciting.

Words Jennifer Butler  Images KTZ

 

THE HOUSE OF EVOLUTION SHOW DID NOT GET OFF TO A GOOD START, LEAVING US ATTENDEES TRAPPED IN THE ENTRANCE OF FREEMASON’S HALL FOR NEARLY AN HOUR WHILE WE WAITED TO BE LED TO OUR SEATS. AS ONE OF THE LAST SHOWS OF THE DAY, LEAVING JOURNALISTS STANDING IN THEIR HEELS TO GET ANGRY SEEMED LIKE A BAD WAY TO KICK OFF AND BY THE TIME WE WERE ALLOWED IN I’D WITNESSED MORE THAN ONE ALTERCATION WITH THE CREW.

House of Evolution is a collective consisting of three designers, and first to show their collection was DAS, two sisters (Reem and Hind Beljafla) who based their designs around the traditional Arab over-garment, the Abaya, with inspiration coming from the Ancient Roman and Greek empires. This translated into floatingl, loose fitting dresses and tunics in pale blues and pinks seemingly taking their cues from the Togas of Ancient Greece. Other looks included  more structured skirts and shirts with armour like wristlets and loose tunics over panelled leggings. Intricately beaded mosaic style patterns featured on the sleeves of dresses, on skirts and forming the front pieces of boxy cut tops as well as belts wrapping the looser fitting pieces together.

Math featured next and the first look captured, to my mind, the ideal form of relaxed springtime chic. A slouchy t-shirt tucked into a light pink chiffon midi skirt created a look that was effortlessly stylish and dreamlike. The rest of the collection successfully lived up to this promise with more slouchy jersey, vibrant blues and oranges and although the overall look was one of simplicity there was enough in the cuts and shapes to keep it interesting and new. This may come as no surprise as the label’s designer Shaz comes from a graphic design background rather than fashion and cites architecture as a major influence.

Finally came Rohmir, who I had high hopes for upon discovering their influences consisted of 20s and 30s French chic and ‘La Garconne’ (tomboy). Unfortunately it failed to quite meet my expectations and instead seemed to have been entirely inspired by exotic birds, completely with a slightly grating tropical soundtrack. Although I loved the shirt dresses featuring a cape back detail and waist tie (at least the tomboy influence was present somewhere)  I found my attention predominately grabbed by the huge pairs of fake eyelashes sported by each model to match her outfit but mostly served to detract the audience’s gaze from the clothing.

The whole show was longer than the average and combined with the waiting time that preceded the show, there was definitely an element of annoyance amongst the crowd with many feeling disappointed by the collections. Unfortunately I must admit to feeling the same way, with only Math really staying in my mind as I left the venue.

Words Tamsin Worrad  Images Christopher Dadey

CENTRAL ST MARTIN’S IS RENOWNED FOR PRODUCING THE SOME OF THE BEST AND MOST INNOVATIVE DESIGNERS. ONE OF THE DARLINGS OF THE FASHION SCHOOL IS CHRISTOPHER SHANNON WHO SHOWCASED HIS SPRING/ SUMMER 2012 MENSWEAR COLLECTION AT LONDON FASHION WEEK.

The first thing to stick out as the intrinsically placed comb sculptures, placed on the models thinly shaved hair. Proving it is the Brits who have an eye for the original look, the combs were apparently glued to the models heads. A nice touch I thought, but I have always enjoyed seeing something different on the catwalk.

Tassel details on asymmetric jumpers gave a twist to the usual men’s knitwear designs and looked modern and stylish. Waterproofs with drawstrings added a sporty feel to the classic menswear collection.

Cubist patterns in black, orange, greys and blues were printed on t-shirts and hard wearing street wear coats.  The combs will probably remain to be the talking point though.

Words Jennifer Butler 

  

THE FANTASY WORLD OF FAIRIES AND NYMPHS, THE VICTORIAN PAINTING MOVEMENT AND ASIAN EMBROIDERY WERE THE MAIN INSPIRATIONS IN THIS TRULY STUNNING COLLECTION, “A FAIRY DANCE”.

Spanish designer Elisa Palomino has created captivating, nostalgic and spectacular outfits, reinventing the bobbin, a traditional textile technique of Madrid’s Enlightenment period which involves rolling thread around long reels with handles called bolillos to weave an intricate pattern. This technique is reflected in the Manila shawl, an outfit still worn in Madrid’s fiestas.

Flowers were the protagonist at the Elisa Palomino show. The catwalk opened with black Victorian shapes complemented with striking floral headpieces.

The second part offered red evening gowns with Chinese tea houses headpieces, light blue organza shades and long see-trough dresses with fishnet sleeves and animal prints of birds and butterflies.

Traditional silk embroidery patterns have been mixed with modern techniques such as laser-cutting, appliqué and intarsia to add a luxurious, innovative and cutting-edge touch to the collection.

The result was extraordinary pieces that paid tribute to the Spanish and Chinese cultures, exuding pure elegance, glamour and decadence, in what certainly deserves to be considered one of the best collections of 2011.

Elisa has worked for Moschino, Roberto Cavalli and Christian Dior Haute Couture. During 8 years she was head of studio for John Galliano and most recently Vice President of design for Diane von Furstenberg.

She launched her own collection last year during New York Fashion Week, which was bought entirely by Dolce & Gabbana for the opening of the concept store SPIGA 2.

Words Veronica Carpio  Images Blow PR

  

COLLEGE DAYS, FREEDOM OF EXPRESSION, CREATIVITY AND INDIVIDUALITY WERE THE MAIN INFLUENCES IN JAMES SMALL’S SPRING/SUMMER 2012 MENSWEAR COLLECTION.

A colourful palette of bold colours such as blue, dark purple and green was mixed with floral prints creating sleek and romantic outfits for a man who wants to feel elegant and unique.

Silk shirts and velvet jackets combined with shorts were the key pieces in this outstanding collection.

James Small has collaborated with Vauxhall Motors to create the fashion film ‘Wash’, starring Jaime Winstone.

Supermodel Kate Moss got all the attention as she sat at the front row with her husband Jamie Hince. Sadie Frost, Jaime Winstone and Meg Matthews also attended and complimented James’ designs. Later on, they all went to party to the central London hotel Corinthia to celebrate the end of London Fashion Week.

Words Veronica Carpio  Images Dan Harley

  

Wearing clothes seemingly designed for dance, the models pirrouted down the catwalk en pointe to show off the draping skirts whilst shoulders were shimmied to demonstrate the movement of huge feathered pieces. Male models lifted female into the air to best show off the floor length fringing and the whole atmosphere was one of drama and theatrics, befitting an avant garde collection (not to mention Pierson’s background in peformance).

The colour palette was in a springlike range of muted peaches, golds and greys with hair was piled in softened beehives, leaving the lines of the dancers body uncovered. As with many collections this season, fringing played a major part in the drama from full length skirts to back detail on jumpsuits. ‘Mobius Strip’ was a real lesson in collaboration with all elements fitting together perfectly, the strength of the collection evident with it remained in the mind because of the theatrics and not despite them.

Words Tamsin Worrad

INSPIRED BY THE DARK NATURE OF CUBO-FUTURISM AND THE SCULPTURAL VISION OF RAYMOND DUCHAMP-VILLON, GEORGIA HARDINGE’ COLLECTION, CUBED, IS CUTTING-EDGE AND FUTURISTIC.

Structured silhouettes are combined with geometrical prints and cubes, pentagons and triangular shapes creating a contemporary, abstract and ambiguous feel.

Grey was the predominant colour, which mixed with flashes of orange, white and black, and sheer fabrics added depth and scale to the collection.

Flowing long dresses, straight trousers and ‘box-shape’ mini skirts were the key pieces in this contemporary and sleek collection for a woman who wants to feel strong and modern but also feminine.

Georgia has collaborated with Victoria’s secret, been sponsored by Swarovski and has received extensive support from press and buyers world wide.

Words Veronica Carpio  Images Dan Harley

TROUBLED HEROINE GIRLS WITH AN EDGE, ICY AS A HITCHCOCK ACTRESS AND COMPLEX AS THE MODERN EDIE SEDGWICK, HAVE BEEN THE MAIN INSPIRATION FOR JOANNE HYNES’ COLLECTION ‘PLASTISCOPE’.

Influenced by the intensity of the 60s and 70s, the colour palette is a chaotic mix of metallic tones such as gold and silver and block colours: orange, green and blue.

Loose tops and dresses combined with striking oversized animal pendants and foile leather appliqué jackets where the main highlights in a collection that breathes disco nights, hedonism and bohemian spirit.

Words Veronica Carpio  Images Dan Harley 

AGENT2 MAGAZINE BRINGS YOU ALL THE BEST SHOWS STREAMED LIVE FROM LONDON FASHION. TAKE YOUR FRONT ROW SEAT FROM THE COMFORT OF YOUR OWN HOME.

See more catwalk reports from LFW here.

AFTER HIS DEBUT ON LONDON FASHION WEEK IN FEBRUARY, ZIAD GHANEM HAS COME BACK TO FREEMASON’S HALL WITH ANOTHER EXTRAORDINARY SHOW THAT IS AS THEATRICAL, ARTISTIC, EMOTIONAL AND SEXUALLY-CHARGED AS YOU CAN GET.

The Polish film Matka Joanna od aniolow (Mother Joan of the Angels) has been his main inspiration for his spring/summer ready to wear collection.

Ziad has created more than just a fashion show, but a visually stunning extravaganza, where the models don’t just wear the clothes, but use Ziad’s designs to express themselves in a very creative and exuberant way.

A bride and a groom with extreme red eye shadow opened the catwalk. The colour palette was mainly black, white and red, except for a few multicoloured splashes in the last pieces, where the models looked like abstract paintings.

Structured silhouettes were on display in a collection where the key outfits were transparent long evening gowns complemented with latex gloves and tulle veils, and striking corsets that enhanced the natural curves of a woman, creating a very erotic and sensual look.

Fine materials such as silk organza and Italian vintage fabrics added a touch of texture, luxury and opulence.

While most of designers use the standard skinny and tall models, Ziad Ghanem breaks all the boundaries introducing models from different backgrounds, shapes and ages, making a definite statement that fashion isn’t just for the good-looking or thin but for everyone who is passionate about it.

Fine artist Pandemonia Panacea is a huge fan of Ziad’s designs and was in the front row supporting his show.

Transsexuals, men dressed up as women, artists (Mr Pustra and Marnie Scarlet) and even Ziad’s little niece made an appearance in a fashion show that was effortlessly provocative, dramatic and unique.

www.ziadghanem.co.uk

Words Veronica Carpio  Images Dan Harley

IT WAS ALL ABOUT LUXURY AND GLITZ AT JASPER GARVIDA’S FASHION SHOW FOR SPRING/SUMMER 2012, WHICH WAS PRESENTED AT THE BLOOMSBURY HOTEL.

Women are Garvida’s main inspiration and for this collection, he has chosen Diana Vreland as his muse, due to her sense of style and passion for the daring and the exotic. His other main influence has been the rhythm found in Frantisek Kupka’s painting ‘Autour d’un Point’, from where the collection took its name.

Strong silhouettes in metallic colours such as gold and silver, combined with black and white, give the collection a crisp and elegant touch.

Garvida has mixed soft fabrics and circular shapes with strong materials such as sequins and abstracted feathers, and animal prints to create a futuristic and ‘electro-tribal’ feel.

Spectacular evening gowns with strong metallic hardware and short dresses with oversized pockets and striking zips were the key pieces in this sophisticated and glamorous collection.

Garvida’s designs are very popular among celebrities and fashionistas. TV presenter Hofit Golan and singer Katie Melua were in attendance.

Words Veronica Carpio  Images Dan Harley

JAPANESE DESIGNER RIRA SUGAWARA SHOWCASED A COLOURFUL AND STRIKING COLLECTION, ‘CLASH BEAUTY’, WHICH PAYS TRIBUTE TO THE OVERWHELMING EARTHQUAKE THAT HAPPENED IN TOKYO EARLIER THIS YEAR.

Rira has taken literally the famous quote by Coco Chanel “Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live”, featuring the sky, asphalt and buildings of Tokyo on her explosive prints.

Long and short dresses made of coated cotton were on display for a woman who wants to feel powerful, confident and sexy.

The extravagant blue lipstick, the prints and the plastic feel of the outfits created an extravagant and defiant look, which reflects Rira’s infatuation with pop art.

Words Veronica Carpio  Images Dan Harley

EMULATING THE OPULENCE AND ELEGANCE OF THE TRAIN ORIENT EXPRESS, IZMAYLOVA EXPRESS TAKES US INTO A JOURNEY OF STYLE, LUXURY AND SOPHISTICATION TO PRESENT HER SPRING/SUMMER COLLECTION FOR 2012.

Refined light-weight materials such as silk, satin, suede and Swarovski crystals were on display in a collection inspired by the rich warmth and natural elements of an isolated tropical hideaway.

Striking colours such as gold, burnt orange, dusty pink and beige give a sumptuous and distinctive feel to the outfits.

The structured corsetry combined with elongated trousers, short feathered dresses and flowing long dresses with drapery and organza were the main highlights, for a woman who wants to feel like royalty.

The asymmetrical cuts and sharp silhouettes have created a futuristic and avant-garde collection which aspires to make an everlasting statement. Izmaylova’s passion for craftsmanship and attention to detail are evident in the high standards of all her clothing.

Izmaylova.co.uk is re-launching very soon and will feature the Lova Boutique, an interactive and innovative ‘Global Experience’ online flagship store where the collections will be available worldwide.

Words Veronica Carpio  Images Dan Harley

JEAN-PIERRE BRAGANZA’S SPRING/SUMMER 2012 COLLECTION, “PRAXIS”, IS INFLUENCED BY THE DECADENCE OF THE ART DECO ERA, THE GERMAN ARCHITECT LUDWIG MIES VAN DER ROHE, INDUSTRIAL ROCK AND THE ARTIST BEN NICHOLSON. HE ALSO FOUND INSPIRATION FROM THE SHAPES PRODUCED BY SMASHING WAVES AND BRACING ROCKS DURING A TRIP TO CORNWALL.

Loose dresses were complemented by structured, tailored blazers in grey and black colours for a woman who is strong, confident and adventurous.

The second part of the show presented knee-length dresses with abstract and geometric prints and finished with vaporous outfits in coral, which added a colourful tone to the end.

Braganza uses fashion to express himself creating sharp silhouettes that highlight the prints, drape, tailoring and cut.

www.jeanpierrebraganza.com

 Words Veronica Carpio  Images Dan Harley

• CARLOTTA ACTIS BARONE

Victorian brothels and French Boudoir from the late 1800s and early 1900s are matched with the idea of the Geisha, a high-class prostitute whose honour and social status remains untouched despite of her job.

Carlotta’s collection for spring/summer 2012 looks at both sides of prostitution with spectacular kimonos, Grecian style short dresses and playsuits in vivid colours of greens, reds and yellow for a woman who wants to feel attractive, seductive and powerful.

Models in flowing dresses, extreme make-up and huge platforms with flower details opened the catwalk, reminiscing the way in which prostitutes seduce her clients.

Animal and floral prints, a trench coat with a bow at the back and her particular representation of the kimono mixed with roping details were the main highlights of her collection.

The result was spectacular, exuberant and truly alluring pieces that express the power of     beauty, honour and seduction.

• JAMES HILLMAN

James Hillman presented an innovative menswear spring/summer 2012 collection, which explores the magnificence of outer space, black holes and complex equations.

James also takes inspiration from the surrealist world of Salvador Dali’s paintings creating diagonally curved pockets and innovative t-shirts with seam detailing.

His colour palette is made of purples, greys, blues, ivories and pinks which give the impression of an exploding star.

Fitted tailored jackets, smart waistcoats, loose trousers and shorts were the key pieces of a collection for a man who will be noticed whatever he goes.

This creative collection exudes style and sophistication, reflecting the splendour and fluidity of science and the stars.

• FLORIAN JAYET

Florian Jayet showcased an outstanding 15-piece collection based on the ghostly Japanese myth of the Yurei: those who are murdered are destined to become Yurei and spend the afterlife searching for their killer to free themselves and reach heaven.

The catwalk opened with structured high-waisted dresses with impossibly high-heel boots without heels, creating a very futuristic and daring look for a woman who wants to feel powerful and fearless.

The entire collection is completely white, except for the use of bright colours such as green, yellow, purple and red beneath some of the fabrics.

Flowing caped shoulders, gathered skirts and white dresses with flashes of electro-pop floral lace were the main highlights of a collection which mixes the old traditions of Japan with a very futuristic look.

High-heel less or with huge platforms with skull details, shoes took a lot of the protagonism in this striking collection, which breathes Lady Gaga, Alexander McQueen and innovation.

Words Veronica Carpio  Images Dan Harley

LAKO BUKIA SPRING/SUMMER 2012 AT FREEMASON’S HALL PRESENTED A STUNNING COLLECTION INSPIRED BY ASIAN TREES AND FLOWERS.

For Bukia, this season is all about colour blocking, geometric shapes and flowing dresses and skirts.

For the first time, she has introduced her hand-drawn flower print to highlight the development and progression of her unique talent.

Bold colours such as red, white, black and grey were mixed with delicate and feminine materials: chiffon, silk and light wool.

Striking white corsets with button details in the middle added a touch of sensuality and naughtiness. Other key pieces were long vaporous dresses, shorts and full sweeping skirts.

The make-up was also quite dramatic; heavy black eyeliner combined with a strikingly white eye shadow created a feline and extravagant look.

The luxurious fabrics, fine attention to detail and dramatic silhouettes have created a unique and sexy collection to show off a woman’s body in the best possible way.

www.lakobukia.com

Words Veronica Carpio  Images Dan Harley

A HUGE DARK ROOM AND FLASHING LIGHT BULBS ON THE CEILING GAVE AN ECCENTRIC AND NAUGHTY TOUCH TO THE USUALLY PRISTINE WHITE CATWALKS.

Models in quirky headscarves, cat-eye sunglasses and cashmere cricket jumpers made an entrance to transport us in time to the glamour and laid back elegance of the 1930s.

Zoe Jordan’s spring/summer 2012 collection pays tribute to Edith Bouvier (also known us “Little Edie”, a classic society girl with an unusual twist, and also takes inspiration from cricket, picnics, smoking clubs and martinis.

A soft colour palette of delicate tones such as silver, olive, dusty pink and blue is combined with brown and ginger.

Tweed jackets, classic tailored silk shirts, lace tea dresses and, specially, a ginger maxi dress with square shoulders, were the main highlights of her collection.

Clean silhouettes, iridescent sequins, soft chiffon and buttery suede added a touch of effortless chicness to the outfits.

Zoe has created luxurious pieces that ooze old glamour, romanticism and nostalgia.

Words Veronica Carpio  Images Dan Harley

The tales of Scheherazade, the queen and voice of the fairytale “One Thousand and One nights”, were their main inspiration in a collection characterized by the use of Oriental geometry, as opposed to previous collections were their main influence was western geometrics.

Models with exotic headscarves in straight dresses and skirts with rhombus prints opened the catwalk for a woman who wants to feel beautiful but also, intelligent and intriguing.

Contrasting colours such as lime yellow, coral, oriental blue and crystal pink were combined with soft tones and black.

Modern materials such as techno lines, cotton lurex, silk twill and cotton blends were mixed with Penrose figures to create an Arabic feel.

The key pieces were ¾ length trousers, slouchy jackets and straight v-neck dresses which oozed elegance, femininity and sensuality.

The designs’ graphic detailing and exquisite use of colours make the Spijkers en Spijkers brand truly desirable.

www.spijkersenspijkers.nl

Words Veronica Carpio  Images Dan Harley 

 

SASS & BIDE’S LONDON FASHION WEEK SPRING/SUMMER 2012 CATWALK SHOW WAS HELD IN THE GLAMOROUS AND LIGHT-FILLED ROYAL OPERA HOUSE. 

Sarah-Jane Clarke & Heidi Middleton are bringing back day-glo inspiration for spring/summer with accents on jewellery, shirts and skirts and even in the playful geometric patterns they seem to love so much.

Split to the thigh skirts and long dresses sashayed down the catwalk delighting a glamorous front row that included the designer duo’s two gorgeous daughters as well as Paloma Faith and Peaches Geldof.

Shimmer, sequins and metallics made bold statements against blacks, blues and sheers. I particularly loved the blue sequined stripy jacket.

A trio of gorgeous pale mini dresses followed. One asymmetrical number featuring an enormous swathe of fabric built up on the shoulders was a favourite as was the robotic mini bodycon with sequined shoulders.

See more catwalk reports from LFW here.

Words Graham Gartside-Bernier  Images catwalking.com

The catwalk started with delicate and flowing cocktail dresses, with flowers’ details on the models’ heads, and a colour palette of romantic creams, whites and beiges.

But this sweet beginning, moved to a more seductive tone with shapes that highlight the waist and torso, and colours such as coral, turquoise, dark blue and black to express desire, lust and passion.

Aksu plays with the layering of textures using fabrics such as silk, cotton, lace and an abundance of dramatic pleating.

The key looks were silk blouses styled with tailored trousers, cinched waists and corseted torsos, tube-shape long skirts and short summer jackets.

For the first time, Aksu has introduced fishnet tights, adding a touch of sexiness to the outfits.

The result is an innovative fashion affair that explores romance, unfulfilled dreams and secret desires.

The show was attended by Nicola Roberts from Girls Aloud and the model Jay from TV programme “Dirty Sexy Things”.

See more catwalk reports from LFW here.

 Words Veroinca Carpio  Images Dan Harley

IRISH DESIGNER PAUL COSTELLOE OPENED LONDON FASHION WEEK WITH A “BABY DOLL” COLLECTION TO EMPHASISE THE FEMININITY AND FLIRTY SIDE OF EVERY WOMAN.

For spring/summer 2012, Paul has been inspired by the movie “What ever happened to Baby Jane”? creating an innocent but, at the same time, dangerous and naughty look which exudes pure glamour and sophistication.

The colour palette started with neutral colours such as light beige and grey, and moved to a brighter side at the end with turquoise blue and purple.

Stripes were also a big part on womenswear, giving a touch of French chic mixed with a playful tone.

1970’s Paris inspired silhouettes, empire waistlines, swing jackets and short dresses were the main highlights.

In menswear, the long coat was the key piece of Costelloe’s collection and grey was the predominant colour in a look made for men who want to feel classy and smart, like the perfect “English gentleman”.

Costelloe’s collection adds a dose of fun and style to daily wear.

After the show, London Mayor Boris Johnson and BFC Chair Harold Tillman CBE announced Fashion 2012, a platform to showcase and celebrate British fashion throughout London’s Olympic year.

See more catwalk reports from LFW here.

www.paulcostelloe.com

Words Veronica Carpio  Images Dan Harley

CHRISTOPHER RAEBURN KICKS OFF THE FIRST OF THREE BRITISH MENSWEAR DESIGNER INSTALLATIONS WITH HIS LIFE SIZE OFF CUT ANIMALS MADE WITH THE EXACT FABRICS USED IN HIS A/W11 COLLECTION…

AGENT2 loves to champion new and emerging designers and Harvey Nichols can often be found at the forefront of emerging new talent as well as creating platforms to help develop and nurture exciting new brands.  From this month to November, Harvey Nichols is hosting a series of in-store installations, created and curated by three British designers that they are currently supporting.

Christopher Raeburn kicks of the initiative this month.  The British ethical designer fuses innovative fabric technology with garment re-appropriation and a passion for military heritage.  His AW11 collection is inspired by research into the original garments, their fabric technology and development.

NEWGEN sponsor Katie Eary is next to drop in-store in October.  The London-based designer needs no introduction – her aggressive but noble menswear is an unstoppable, inevitable hurricane ripping its own way through fashion.

Katie says; “I’m so excited about this project with Harvey Nichols.  I’ve been waiting to get my hands on a great space and Harvey Nichols id the perfect place for what I have in mind.  I think people will be thrilled and intrigued by my installation… Frankenstein’s Lab in central London!”

Finishing off the trio of designer installations in November is AGENT2 favourite, James Long.  Long has fast become one of the most sought after menswear talents in London.  With a huge fan base ranging from Alister Mackie: Creative Director of Another Man, Luke Day: Fashion Director of GQ Style, and Lanvin’s Lucas Ossendriver praising James as his ‘favourite young designer’, James has certainly made his mark as a designer to watch.

James says: “I wanted to recreate the unsettled attitude of my Autumn/Winter collection within an installation space at Harvey Nichols.  With the use of lighting I will try to form and area where my collection lives in a manic mayhem of colour and texture.”

Find out more details about Harvey Nichols Menswear Project here.

IMAGINE PARTYING NEXT TO DINOSAURS, SAMPLING THE FINEST CHAMPAGNE AND COCKTAILS, TASTING THE MOST EXQUISITE EXPERIMENTAL CANAPÉS, CHATTING TO THE MOST INFLUENTIAL PEOPLE ON EARTH, DANCING AS IF THERE WAS NO TOMORROW…

Expectations were high but Lord Stanley Fink and David Johnstone put together a truly exceptional event to celebrate the world wide launch of the Global Party, which is inspired by Phileas Fogg’s challenge to circumnavigate the world in 80 days.

80 models dressed in colourful evening gowns by Fine Fashion Awards “Designer of the Year”, Jasper Garvida, appeared in front of a huge hot air balloon, to welcome all the guests.

More than a party, it was a visually stunning extravaganza, an experience to completely blow your mind in every single way…

The event was held at the extraordinary National History Museum. As soon as I stepped into the beautiful Earth Gallery it felt like entering a magical world. The magnificent walk included a quick view to the Earth’s Treasury Room, where you could admire all the precious stones and jewellery on display and a performance by The Gleeks.

After Lord Fink and Johnstone’s speech, the party started in the Central Hall with music provided by Eddie & the Robbers, Bryan Ferry and Ava Leigh.

Celebrities such as singer Katie Melua, model Lily Cole, The Saturdays singer Mollie King (without her gorgeous boyfriend David Gandy…), TV presenter Hofit Golan, the members of pop band Blue, boxer Barry McGuigan, TV presenter Gaby Roslin… were in attendance. Chelsy Davy, Prince Harry’s ex-girlfriend, made her debut with her new boyfriend, property developer Taylor Williams.

But, apart from the celebs, movers & shakers from around the world gathered under one roof to celebrate all the finest things in life, network and also to raise money for a worthy cause as 65% of the ticket price (£2,000 for a pair of tickets) will go to 15 charities: ARK (Absolute Return for Kids), Duke of Edinburgh’s Award (International Award Association), IIE (Institute Of International Education), Blue Marine Foundation, Sentebale, Nelson Mandela Children’s Fund, Raisa Gorbachev Foundation, Pratham, 21st Century Leaders, Merlin, Tusk and Virgin Unite.

The actual Global Party will take place on the 15^th and 16^th of September. More than 80 parties in 47 countries in 24 hours! Each location has organised an unforgettable event that  without a doubt will satisfy the most refined and demanding guests.

In London the Global Party will be held on the 16^th of September at Boujis, the award-winning premium nightlife brand and private members club regularly attended by celebrities and VIPs from film, fashion, music, sport and royalty. The party will be hosted by Matt Hermer, with entertainment provided by DJ Zeb Wayne and guests will have the chance to taste Boujis’ signature drink ‘The Crackbaby’.

The question is now, where do you party after the Global Party? To be continued…

www.theglobalparty.com

Words Verónica Carpio Martín  Images Dan Harley

Hollyoaks tends to deal with issues like that in quite a sensitive way. What is it like to be part of a programme like that?

Laurie: It’s really fantastic. You get a sense that you’re helping out because the show does deal with a lot of issues. Sometimes the storylines have to be a bit out there and it’s nice because they set up help lines and support for people going through that kind of thing.

Tosin: Hollyoaks does have a big influence on other kids, they look up to the characters. To be something kids can look up to is really nice.

Lucy: They approach it and they word it in a very sensitive way which is obviously very important. Things like my character being a lesbian and I had that relationship with Esther that was a summer romance. The way they wrote it was really nicely done, it wasn’t too over the top and it really showed a genuine romance that was at its first stage where you’re getting butterflies and you’re really excited when you see each other. It was really nice and really exciting to do that because I have never played a role like this before.

Is that romance going to continue?

Lucy: Oh, no, Esther wants it to but Tilly’s a realist, she thinks things through almost, I think, too sensibly but she always was like it’s not going to happen I need to get my head down and focus and it was what it was. I think Tilly could be a bit of a player. You can tell from her take on relationships that she’s had quite a few and they’ve never been mega serious, they just are what they are. That’s what I like about her.

Is this the sort of thing that you’ve always aspired to do?

Laurie: Acting in general. Just getting out there and working.There are actors out there who aren’t in this position who can’t say that they’re working on a show but it’s a fantastic opportunity.

Steven: We’re very lucky. It’s a great platform I think.

Tosin: I never wanted to be an actor I wanted to be a businessman. Don’t let this fool you I wanted to work in investment banking. I was going to go to university this year but I thought I’m getting work let me see how this goes then I got this and I thought I’m going to stick at it.

Was it intimidating to come into such a popular programme?

Steven: Everyone’s so lovely but it’s a big undertaking in a way. It’s a bit surreal. You walk in and you see Hollyoaks College and then you find yourself walking through the McQueens living room.

Laurie: It’s weird but everyone here is so unbelievably nice. It’s cool, you don’t feel any pressure really.

Tosin: The first day everyone asked which character I was playing, and had a chat. They all made us feel really welcome.

Lucy: It’s really nice because although everyone is really friendly and really welcoming at least we’re all in the same boat and it’s nerve wracking and you’re a bit anxious but it’s really nice we’re working together all the time. We’ve had lots of time to gel and our chemistry is getting really good. All the guys are living together and Scarlett and I are as well so it’s going to improve even more. I feel really lucky that we’ve come in as a group.

Have there been any big arguments?

Tosin: Yeah I had an argument with Dylan about moving the milk, no I’m joking.

Laurie: We had a slight argument because he’s a Manchester United fan.

Tosin: It’s only a bit of football banter.

Laurie: I’m an Arsenal fan so there’s a bit of rivalry and the other guy we’re moving in with is a Liverpool fan.

Steven: I’m any fan just keep me quiet. I just switch to whoever’s the loudest and scariest at the time.

What sort of projects have you worked on before?

Scarlett: Tosin and I did a show called The Switch which was great fun. I used to describe it as a Skins meets Hollyoaks for a younger generation. It was great we filmed all around London as well which was great because we both lived there.

Lucy: I was in Waterloo Road previously to this so I’m trying to get out of my Manchester accent, trying to neutralise it a bit. I’m the black sheep out of them all. I’m the northerner.

Do you have any say in what your characters wear?

Dylan: Yeah a bit, if you’re comfortable in it then yeah but if you’re not and they think its right for the character then they change it until it fits.

Scarlett: I think Maddie and myself are one and the same I have both these items in my wardrobe and they’re mine too. Our stylist is really great because he said if you don’t like it there’s no point buying it because if you’re not comfortable then you don’t feel comfortable on set. He was great he took us to all the great shops like American Apparel, Topshop, Office and Kurt Geiger, it was great.

Lucy: My characters really quirky and really funky and really edgy so he came up with things, we’d start off in Topshop because it has so  many different styles all under the same roof so it’s easy to start off there and kind of stamp a trend on what your character’s going to be and then go further afield and go to different stores. He’d pick up things and say try that on that were really clashy prints that I personally would never be brave enough to wear but actually you see how it really works.

Check out the new crew from this week on Channel 4 at 6.30pm.  AGENT2 brings you part 1 of this interview here.

www.e4.com/hollyoaks

Interview Elizabeth Horsfall  Video and stills Lucy Sharratt

THIS YEAR’S INTAKE OF NEW SIXTH FORMERS ARE ABOUT TO HIT HOLLYOAKS AND THE GROUP OF SIX ARE SET TO BRING SOMETHING DIFFERENT.

THERE’S THE BITCH, THE QUIRKY GEEK, THE LONER, THE OUTSIDER, THE JOKER AND THE GAY BEST FRIEND.

Scarlett Bowman, Lucy Dixon and Dylan Llewelyn who play Maddie, Tilly and Jono made an appearance earlier this year when some of the cast took a trip to Abersoch.

New to the show this week are Tosin Cole, Steven Roberts and Laurie Duncan who play Neil, George and Callum.

AGENT2 caught up with the stylish new additions to the cast as they explained how their characters are going to inject some new grit and fashionable flare into the soap.

In your first scene in Abersoch you were all wiped out after a party, is this sort of behaviour going to continue?

Lucy: Well we’ve just started back at school so we’re behaving ourselves a little bit more and focussing on work but the first time my character is seen is at a warehouse party and I’m not meant to be there because I’m meant to be in London with my family and then I end up turning up at the party with my friends and then Esther who I had a little fling with in Abersoch turns up but Maddie’s in before that at college.

Scarlett: Yeah there’s a house party scene before we start back at school in the week leading up to that. Then we need to study.

Lucy: My character is very studious, she’s always reading and learning. I love reading the books when I’m on set. I read a biology text book the other day about whales and it was really interesting. My character rubs off on me a bit.

Scarlett: I’m like the absolute tart because I’m there flicking through Now and Hello.

Maddie’s quite territorial, she knows who her friends are. There’s a drama with Bart which you saw in Abersoch and she’s out to get him back, but she’s got her wingmen so it’s alright.

Dylan: My character’s a bit desperate and he’s very different to me he’s more cocky and confident whereas I’m a bit more shy and awkward. He’s cool, I like playing him I want to be more like him. But he’s a bit too cocky, he gets wacked a bit.

How do these different characters fit in with the present Hollyoaks dynamic?

Scarlett: They don’t.

Lucy: Yeah, it’s a little group on our own. If someone were to be watching our group I don’t think they would think it was the stereotypical generic Hollyoaks, which is, I think what they’re going for with this new look and what I find really exciting because we are a new look for Hollyoaks.

Scarlett: I think it’s really interesting to see how it forms from the old version of Hollyoaks how we slot in as a group. Everyone’s wardrobe’s really cool, hair and make up’s wicked.

Lucy: We’re all really different. My character’s punky, arty, yours is kind of along the lines of 90210 but I would say Kate Moss as well.

Scarlett: My character references are Regina George (Mean Girls) because I’m a bit of a bitch and the girl from Mad Men.

Lucy: So that’s what’s great about it, especially because us two are best friends, we’ve known each other for years and we’re so different we’re like chalk and cheese so that’s what I really like as well.

Are you anything like your characters in real life?

Tosin: We have similarities. Sometimes you do tend to big yourself up when you’re with your friends, you edge it up a little just because you’re around the lads. So in that sense I would say I’m quite similar. In terms of playing football, being a lad, all that stuff. Trying to enjoy your young life while you can.

Steven: George is a good friend and so am I. Although George knows a lot about fashion and I don’t really. I’ve taken a more active interest in it now, I notice it more. My characters outfits are very out there and very colourful, I think they look quite cool. I bought a belt that he wears but that’s it, everything’s a bit too colourful.

Laurie: Since I started playing Callum I’ve started reading a lot of poetry. He reads a lot of Bukowski and I haven’t put the book down for about three days. He’s very dark and very abstract.

Steven: He was reading some to us on set the other day, he’s quite weird, quite cool.

Your introduction to Hollyoaks seems to have a Skins type vibe and they dealt with some really gritty issues. Will your characters be involved in anything like that?

Scarlett: I have wind of a storyline but I’m not sure. I know it will focus on the ups and downs of a standard student between 16 and 18. The stuff people go through like first boyfriends, losing your virginity, exam stress. I don’t think there’s anything really hardcore like Skins.

Lucy: I remember watching Skins and was absolutely hooked for the first two series and then I went back for the third or fourth and I kind of though they were glamourising the wrong things and making things out to be super super cool and you should do which are things that are naughty really which you shouldn’t be doing. I like that that we’re not doing that, we’re not showing that we’re getting wasted every night and turning up to school and not concentrating. We have our fun but at the same time we’ve got our heads on our shoulders, getting our heads down and working which is what I like and I hope that we’re going to be good role models for people of that age. That they can relate to that character and think if she’s going through it and she’s coping then so can I.

Check out the new crew from this week on Channel 4 at 6.30pm.  AGENT2 brings you part 2 of the interview from the cool new kids on Hollyoak’s block here.

www.e4.com/hollyoaks

Interview Elizabeth Horsfall  Video and stills Lucy Sharratt

IF YOU ARE A MEAT EATER AND WANT SOMETHING A BIT MORE UPMARKET THAN TGI FRIDAYS THEN SOUTHERN ELEVEN IS THE PLACE FOR YOU. 

After a tour of Spinningfields we finally found the place and was pleased to see it was busy with a good atmosphere. I wasn’t mad keen on the décor but they’ve obviously put a lot of thought into it using huge carved wood logs to separate the restaurant from the kitchen.

Our waiter was attentive and knowledgeable which was handy when we ordered our cocktails, being a Mojito lover, I went for their own version called Gin & Jazz which had a Lemoncello twist and was delicious, my partner went for the option of mixing his own, risky if your not a mixologist but it turned out good in the end. The option to mix your own is of course a fun option for groups and could be an excellent ice breaker should you go there on a first date, I liked this creative spin on ordering drinks.

The food was fabulous, for starters we went for the Chicken Wings and Fried Spears, the latter definitely worth trying and something different. Southern Eleven have their own smoking ovens that create truly delicious tender meats. Mark the waiter told us that the owner James Hitchin went to the USA for a year to learn how to cook like this and teach the chefs – I think it was definitely worth it. For mains we had a selection of meats all from the Ginger Pig Farm in Yorkshire that supply outdoor reared, rare breed pork and Longhorn beef.  Hard to choose the best but my favourite was the Short Beef ribs and the Southern Chicken Dinner, all the dishes we’re very well presented.

If you can manage a dessert, go for the Chocolate brownie – it’s awesome.

Southern Eleven, Spiningfields, Manchester
www.southern11.co.uk

Words Kelly Doran

AGENT2 IS NOT TOO EMBARRASSED TO LET OUR READERS KNOW THAT SOMETIMES WE GET A LITTLE TWINGE OF JEALOUSY WHEN WE SEE WHAT OTHER PUBLICATIONS ARE DOING.  WHEN THESE IMAGES FROM THE LATEST ISSUE OF VARÓN CAME ACROSS OUR DESK, IT WAS MOST DEFINITELY ONE OF THOSE TIMES WE WERE LEFT GREEN WITH ENVY. 

For the 4th issue of Varón – on stands worldwide September 8th – Nicola Formichetti styles himself and his menswear team at Mugler in the Mugler autumn/winter 2011 collection. Shot by Kacper Kasprzyk, the story features menswear designer Romain Kremer, communications director Alban Adam, and Formichetti’s assistant Matthieu Bredon-Huger.

The feature marks the first magazine portrayal of the Mugler team since Nicola Formichetti was appointed creative director at the house last year. It is accompanied by an in-depth interview with Formichetti and his team by Anders Christian Madsen.  Likewise, the cover of the issue features Nicola Formichetti by Kacper Kasprzyk.

AGENT2 brings you a small extract of that interview:

Nicola Formichetti in response to copycat accusations in regards to his work with Lady Gaga:

“In short, no, we don’t have other people’s looks on the wall and we don’t try to copy anyone. That would be a stupid thing to do, no? Do people really think Gaga would go and look at a music video and say, ‘That’s a cool video, let’s redo that’? People only think that because that’s the only reference they have.”

Nicola Formichetti on public criticism:

“I get really sad when people judge me and think I’m snobby because of stuff they read on the internet, like stuff about old people or fat people that’s taken completely out of context. It gets blown out of proportion. It’s sad but I have to keep moving, and keep believing in what I’m doing.”

Nicola Formichetti on Thierry Mugler:

“For me he’s like God, you know? So I don’t really wanna… I don’t really want to know what he thinks. Of course I’d like for him to love it, but I don’t really want to… For me he’s someone so high, but I’m not here to please him. If he doesn’t like it, it would make me sad but he’s not why I decided to take the job. The reason I changed the name to Mugler instead of Thierry Mugler was to make it less personal and more of a brand as opposed to a French couturier. I want it to become a global brand.”

Nicola Formichetti on Romain Kremer:

“He’s like an extension of my hand. Our tastes are so similar. I’m not very good at making things so he does it for me.”

Nicola Formichetti on Alban Adam:

“He’s my brain. Everything I think about the brand, he articulates into reality. And he’s not a boring PR person, which is nice.”

Nicola Formichetti on Matthieu Bredon-Huger:

“He’s my little brother. The stylish little French brother I never had.”

www.varonmag.com

Photographer Kacper Kasprzyk
Fashion Editor Nicola Formichetti
Interview Anders Christian Madsen
All clothes Mugler autumn/winter 2011

THE DESIGN TEAMS FROM BOTH SASQUATCHfabrix AND THE INOUE BROTHERS WILL BE MAKING A VERY RARE VISIT TO LONDON TO TAKE OVER A NEW ROOM AT LN-CC FOR THE LAUNCH, SHOWCASING A SPECIALIST INSTALLATION DESIGNED TO HOUSE THE  COLLECTION. THE DESIGN OF THIS CONCEPT INSTALLATION WILL EVOKE AN ‘OTHERWORLDLY’ ATMOSPHERE AND WILL REFLECT THE ‘MODERN NINJA AND THE BLACK FIST’ THEME THROUGHOUT. 

It will be the first product-focused installation since the store opened in November 2010.

SASQUATCHfabrix is a streetwear-inspired clothing brand hailing from Tokyo and are widely recognised as ‘the future of Japanese street fashion’ and have revolutionised urban Japanese fashion culture with their unique designs and fabrications.

Sibling design duo of Danish and second-generation Japanese heritage, the Inoue Brothers are renowned for combining their creativity and styling with local indigenous skill and craftsmanship.

The Inoue Brothers regularly work on installations for Comme des Garcons and Rei Kawakubo.

This exclusive collaborative collection comprises of three classic styles from the Inoue Brothers which have then been customised or ‘Tokyo-fied’ by SASQUATCHfabrix. Each garment is constructed from Tib’s ever progressive knitwear in 100% royal alpaca customised with traditional Japanese textiles and dying techniques.

With up to 13 editions of each garment in circulation internationally, this is an extremely limited edition collection. The collaborative collection will be stocked exclusively at LN-CC outside of Japan.

The launch evening will be followed by an afterparty in the LN-CC in-store club space with music from London-based Bad Passion Project.

Visit www.ln-cc.com for more details.

LENS AT TOPMAN THIS AUTMUN SEES THREE NEW DESIGNERS; UNIFORMS FOR THE DEDICATED, DANIEL JACKSON AND DAVID DAVID JOIN THE LENS COLLECTIVE.  THESE THREE EXCITING ADDITIONS WILL SIT ALONGSIDE CURRENT LENS FAVOURITES J.W. ANDERSON, NEW POWER STUDIO, DEXTER WONG AND DUSTY.

Scandinavia’s Uniforms for the Dedicated was founded in 2007 and forms a continuously growing playground of men’s fashion, music, art projects, and film. Driven by continuous experimentation and characterised by a playful yet functional approach, Uniforms crosses elements from various design and time periods to create a line of clothing sustainable over time. Debuting with LENS this season the creativity in design is clear for all to see with Scandinavian workwear styling focusing on utility and functionality throughout.

New York’s Daniel Jackson founded the international art and design collective Surface to Air. Surface to Air gained momentum as a new, fresh, breaking-the-rules type of collective. Daniel is renowned for the design of accessories and jewellery but LENS has allowed him his first solo foray into clothing design. Daniel’s LENS AW11 collection is a homage to the Velvet Underground as ‘New York Icons’. Classic silhouettes are subverted with modern fabrications and materials in a subtle, but strong manner.

Designer David Saunders (aka David David) came to fashion via fine art, graduating from Chelsea College of Art and assisting Tracey Emin and other Young British Artists before moving into fashion in 2005. An installation at the Topman sponsored MAN show during London Fashion Week was a turning point in developing David David’s signature style of bold geometric prints which have since become synonymous with the brand and are prevalent throughout his debut LENS AW11 collection.

Now into its ninth season, LENS is the brainchild of Topman Design Director Gordon Richardson and ‘b Store’ Founder Matthew Murphy. The idea is to create a space to showcase the cream of young emerging menswear talent from both here and abroad. LENS will be available in of the Oxford Circus store Thursday September 15th to coincide with the start of London Fashion Week and will available online at topman.com, London Selfridges, New York and Chicago.

Check out Topman’s new collection with Marc Hare here.

MARC HARE, THE MAN BEHIND THE MUCH LAUDED MR HARE SHOE BRAND, IS TO LAUNCH HIS FIRST EVER FOOTWEAR COLLABORATION THIS AUTUMN WITH TOPMAN. THE MR HARE COLLECTION – WHICH WILL FORM PART OF THE TOPMAN AAA RANGE – CONTAINS 10 STYLES ACROSS BOTH SHOES AND BOOTS INCLUDING EVENING LOAFERS AND HIGH SHINE HI-TOPS.

“The inclusion of Marc Hare to Topman’s ever increasing stable of designer collaborations is such an honour. Long being a fan of his beautiful elegant understated shoes it is such a pleasure to be able to introduce this collection specifically designed for our AAA range” - Gordon Richardson, Topman Design Director.

The Marc Hare X Topman collection will launch in two parts – the first at the end of August and the second at the end of October and will be available both online and at the Oxford Circus, New York and Chicago Stores.

Check out The LENS AW11 collection from Topman here.